Yamaha psr 2000 инструкция на русском - Инструкции по применению и эксплуатации

Название	Русский	English
PSR-2000/PSR-1000 Data List	—	[353KB]
PSR-2000/PSR-1000 Data List (Text Version)	—	[49KB]
PSR-2000/PSR-1000 Owner’s Manual	—	[8.3MB]
PSR-2000/PSR-1000 Owner’s Manual	[7.5MB]	[8.3MB]
PSR-2000/PSR-1000 Owner’s Manual (Text Version)	—	[207KB]

Источник

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РУССКИЙ
Перед использованием
камеры
Съемка
ЦИФРОВАЯ КАМЕРА
Воспроизведение/стирание
Параметры печати/передачи
Настройка камеры
Устранение неполадок
Список сообщений
Расширенные              Приложение
операции
Руководство пользователя камеры
В этом Руководстве приводится подробное описание функций камеры и порядка
их использования.
CEL-SG4UA200                             © 2007 CANON INC.
Руководство пользователя камеры, Расширенные операции

Основные функции
Съемка
zАвтоматическая настройка параметров
съемки в соответствии с условиями (режим
специального сюжета)
zИсключение сотрясения камеры или
смазывания объектов при съемке в режиме
автоматического повышенного числа ISO
и сдвига автоматического числа ISO
zАвтофокусировка с определением лица,
идеальная для фотосъемки людей
zАвтоматическое определение положения
камеры с помощью интеллектуального
датчика ориентации
zИзменение цветов изображения для
получения специальных эффектов (акценти-
рование цветом, замена цвета)
Воспроизведение
zСистематизация изображений по категориям
zВоспроизведение видеофильмов со звуком
zАвтоматическое воспроизведение слайд-шоу
Редактирование
zФункция коррекции эффекта «красных глаз»
zДобавление эффектов в фотографии с помощью
функции «Мои цвета»
zЗапись звуковых памяток для фотографий
zЗапись автономных звуковых памяток (Диктофон)
Печать
zУдобная печать с помощью кнопки «Печать/загрузка»
zПоддержка PictBridge-совместимых принтеров других
производителей (не Canon)
Использование снятых изображений
zУдобная передача изображений в компьютер с помощью кнопки
«Печать/загрузка»
zСвободная настройка заставки или звука, подаваемого при включении
камеры, с помощью параметров «Моя камера»

Условные обозначения
Символы под заголовком обозначают режимы, в которых может использо-
ваться соответствующая процедура.
Переключатель режима/кнопка
Режим открытки
• Недоступные режимы съемки показаны серым цветом.
• Режимы и обозначаются одним значком .
См. Функции, доступные в различных режимах съемки (стр. 149).
В данном Руководстве Руководство пользователя камеры, Основные операции
называется Руководство по основным операциям или Основные операции,
а Руководство пользователя камеры, Расширенные операции называется
Руководство по расширенным операциям.
Этим символом обозначается важная информация, относящаяся к работе
камеры.
Этим символом обозначаются сведения, дополняющие основные операции.
В камере можно использовать карты памяти SD, SDHC
и MultiMediaCard. В настоящем Руководстве для этих карт
используется общий термин «карта памяти».
Рекомендуется использовать оригинальные дополнительные
принадлежности компании Canon.
Данное изделие оптимизировано для работы с оригинальными дополни-
тельными принадлежностями компании Canon. Компания Canon не несет
ответственности за любые повреждения данного изделия и/или несчастные
случаи, такие, как возгорание и т.п., вызванные неполадками в работе
дополнительных принадлежностей сторонних производителей (например
протечка и/или взрыв аккумулятора). Обратите внимание, что гарантия не
распространяется на ремонт, связанный с неправильной работой дополни-
тельных принадлежностей сторонних производителей, хотя такой ремонт
возможен на платной основе.
1

Источник

Раздел: Бытовая, кухонная техника, электроника и оборудование

Тип: Синтезатор/фортепиано

Инструкция к Синтезатору/фортепиано Yamaha PSR-2000

Introduction

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

Battery Notice:

(adapter). DO NOT connect this product to any power sup-

This product MAY contain a small non-rechargeable

ply or adapter other than one described in the manual, on

battery which (if applicable) is soldered in place. The

the name plate, or speciﬁcally recommended by Yamaha.

average life span of this type of battery is approxi-

mately ﬁve years. When replacement becomes neces-

WARNING: Do not place this product in a position where

sary, contact a qualiﬁed service representative to

anyone could walk on, trip over ,or roll anything over

perform the replacement.

power or connecting cords of any kind. The use of an

extension cord is not recommended! IF you must use an

This product may also use “household” type batteries.

extension cord, the minimum wire size for a 25′ cord (or

Some of these may be rechargeable. Make sure that the

less ) is 18 AWG. NOTE: The smaller the AWG number

battery being charged is a rechargeable type and that

,the larger the current handling capacity. For longer exten-

the charger is intended for the battery being charged.

sion cords, consult a local electrician.

When installing batteries, do not mix batteries with new,

or with batteries of a different type. Batteries MUST be

This product should be used only with the components

installed correctly. Mismatches or incorrect installation

supplied or; a cart, rack, or stand that is recommended by

may result in overheating and battery case rupture.

Yamaha. If a cart, etc., is used, please observe all safety

markings and instructions that accompany the accessory

Warning:

product.

Do not attempt to disassemble, or incinerate any battery.

Keep all batteries away from children. Dispose of used

SPECIFICATIONS SUBJECT TO CHANGE:

batteries promptly and as regulated by the laws in your

The information contained in this manual is believed to be

area. Note: Check with any retailer of household type

correct at the time of printing. However, Yamaha reserves

batteries in your area for battery disposal information.

the right to change or modify any of the speciﬁcations

without notice or obligation to update existing units.

Disposal Notice:

Should this product become damaged beyond repair,

This product, either alone or in combination with an ampli-

or for some reason its useful life is considered to be at

ﬁer and headphones or speaker/s, may be capable of pro-

an end, please observe all local, state, and federal reg-

ducing sound levels that could cause permanent hearing

ulations that relate to the disposal of products that con-

loss. DO NOT operate for long periods of time at a high

tain lead, batteries, plastics, etc. If your dealer is

volume level or at a level that is uncomfortable. If you

unable to assist you, please contact Yamaha directly.

experience any hearing loss or ringing in the ears, you

should consult an audiologist.

NAME PLATE LOCATION:

IMPORTANT: The louder the sound, the shorter the time

The name plate is located on the bottom of the prod-

period before damage occurs.

uct. The model number, serial number, power require-

ments, etc., are located on this plate. You should

Some Yamaha products may have benches and / or

record the model number, serial number, and the date

accessory mounting ﬁxtures that are either supplied with

of purchase in the spaces provided below and retain

the product or as optional accessories. Some of these

this manual as a permanent record of your purchase.

items are designed to be dealer assembled or installed.

Please make sure that benches are stable and any

optional ﬁxtures (where applicable) are well secured

BEFORE using.

Benches supplied by Yamaha are designed for seating

only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relat-

ing to how a function or effect works (when the unit is

operating as designed) are not covered by the manufac-

turer’s warranty, and are therefore the owners responsibil-

ity. Please study this manual carefully and consult your

dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user

Model

safe and environmentally friendly. We sincerely believe

that our products and the production methods used to pro-

Serial No.

duce them, meet these goals. In keeping with both the let-

ter and the spirit of the law, we want you to be aware of the

following:

Purchase Date

92-BP (bottom)

PLEASE KEEP THIS MANUAL

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äÓ„‰‡ ËÌÒÚÛÏÂÌÚ ÌÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ, ‡ Ú‡ÍÊÂ ‚Ó ‚ÂÏﬂ „ÓÁ˚ ÒÎÂ‰ÛÂÚ

ÚÂÎÂ‚ËÁÓÂ ËÎË ‡‰ËÓÔËÂÏÌËÍÂ ÏÓ„ÛÚ ‚ÓÁÌËÍ‡Ú¸ ¯ÛÏ˚.

ÓÚÍÎ˛˜‡Ú¸ ÓÚ ÒÂÚË ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡.

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ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ ÌÂ ÓÒÚ‡‚ÎﬂÈÚÂ Â„Ó Ì‡

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çÂ ÔÓ‰ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ Í ˝ÎÂÍÚË˜ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛

ÌÂÛÒÚÓÈ˜Ë‚ÓÈ ÔÓ‚ÂıÌÓÒÚË.

ÔÂÂıÓ‰ÌËÍ‡. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌË˛ Í‡˜ÂÒÚ‚‡ Á‚ÛÍ‡, ‡ Ú‡ÍÊÂ Í

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èÂÊ‰Â ˜ÂÏ ÔÂÂÏÂ˘‡Ú¸ ËÌÒÚÛÏÂÌÚ, Û‰‡ÎËÚÂ ÔÓ‰ÍÎ˛˜ÂÌÌ˚È Í ÌÂÏÛ

ÔÂÂ„Â‚Û ÓÁÂÚÍË.

‡‰‡ÔÚÂ Ë ‰Û„ËÂ Í‡·ÂÎË.

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àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ ÔÓ‰ÒÚ‡‚ÍÛ, ÒÔÂˆË‡Î¸ÌÓ ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌÛ˛ ‰Îﬂ

åÂÒÚÓ ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË

ËÌÒÚÛÏÂÌÚ‡. èË ÂÂ ÍÂÔÎÂÌËË ÔÓÎ¸ÁÛÈÚÂÒ¸ ÚÓÎ¸ÍÓ ‚ËÌÚ‡ÏË,

ÔÓÒÚ‡‚ÎﬂÂÏ˚ÏË ‚ ÍÓÏÔÎÂÍÚÂ. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ÓÁÏÓÊÌ˚

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ÇÓ ËÁ·ÂÊ‡ÌËÂ ‰ÂÙÓÏ‡ˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂÊ‰ÂÌËﬂ ‚ÌÛÚÂÌÌËı

ÔÓ‚ÂÊ‰ÂÌËÂ ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ë Ô‡‰ÂÌËÂ ËÌÒÚÛÏÂÌÚ‡.

ÍÓÏÔÓÌÂÌÚÓ‚ ÌÂ ‰ÂÊËÚÂ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏÂ˘ÂÌËﬂı Ò ËÁ·˚ÚÓ˜ÌÓÈ

‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊÂ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎË¯ÍÓÏ Ô˚Î¸ÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡ÍÓ

(3)-7 1/2

PSR-2000/1000

èÓ‰ÍÎ˛˜ÂÌËÂ

ëÓı‡ÌÂÌËÂ ‰‡ÌÌ˚ı

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èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï

ëÓı‡ÌÂÌËÂ Ë ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ‰‡ÌÌ˚ı

ÍÓÏÔÓÌÂÌÚ‡Ï, ÒÎÂ‰ÛÂÚ ÓÚÍÎ˛˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË

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èË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ËÌÒÚÛÏÂÌÚ‡ ÔÓËÒıÓ‰ËÚ ÛÚ‡Ú‡ ÚÂÍÛ˘Ëı

ÓÚÍÎ˛˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÒÎÂ‰ÛÂÚ ÛÒÚ‡Ì‡‚ÎË‚‡Ú¸

‰‡ÌÌ˚ı (ÒÏ. ÒÚ ). ëÓı‡ÌﬂÈÚÂ ‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ ËÎË ‚ ‡Á‰ÂÎÂ Ô‡ÏﬂÚË

ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ëÎÂ‰ÛÂÚ Ú‡ÍÊÂ Û·Â‰ËÚ¸Òﬂ, ˜ÚÓ Ì‡ ‚ÒÂı

User (ÒÏ. ÒÚ ).

ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË, Ë ÔÓÒÚÂÔÂÌÌÓ

ÇÓÁÏÓÊÌ‡ ÔÓÚÂﬂ ÒÓı‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË

Û‚ÂÎË˜Ë‚‡Ú¸ ÂÂ ‰Ó ÚÂ·ÛÂÏÓ„Ó ÛÓ‚Ìﬂ ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ËÌÒÚÛÏÂÌÚÂ.

ÌÂÔ‡‚ËÎ¸ÌÓÈ ‡·ÓÚ˚ ËÌÒÚÛÏÂÌÚ‡. ëÓı‡ÌﬂÈÚÂ Ì‡Ë·ÓÎÂÂ ‚‡ÊÌ˚Â

‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ.

é·ÒÎÛÊË‚‡ÌËÂ

èË ËÁÏÂÌÂÌËË Ô‡‡ÏÂÚÓ‚ Ì‡ ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍÂ

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ÑÎﬂ ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ÚÍ‡Ì¸˛. çËÍÓ„‰‡ ÌÂ

ÒËÒÚÂÏ˚ (ÔÂÂ˜ËÒÎÂÌÌ˚Â ‚ Ú‡·ÎËˆÂ Ô‡‡ÏÂÚÓ‚ ÔÓÒÚ‡‚ÎﬂÂÏÓ„Ó

ËÒÔÓÎ¸ÁÛÈÚÂ ÔﬂÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊË‰ÍËÂ Ó˜ËÒÚËÚÂÎË ËÎË

ÓÚ‰ÂÎ¸ÌÓ Ò·ÓÌËÍ‡ Ú‡·ÎËˆ) ÔÓÒÎÂ ‚˚ıÓ‰‡ ÒÓı‡Ìﬂ˛ÚÒﬂ

˜ËÒÚﬂ˘ËÂ Ò‡ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.

‡‚ÚÓÏ‡ÚË˜ÂÒÍË. é‰Ì‡ÍÓ ÂÒÎË ÔÂÂ‰ ÓÚÍÎ˛˜ÂÌËÂÏ ÔËÚ‡ÌËﬂ ÌÂ ·˚Î‡

‚˚ÔÓÎÌÂÌ‡ Ì‡‰ÎÂÊ‡˘‡ﬂ ÔÓˆÂ‰Û‡ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó

åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË

˝Í‡Ì‡, ‚ÒÂ ˝ÚË ËÁÏÂÌÂÌËﬂ ·Û‰ÛÚ ÛÚ‡˜ÂÌ˚.

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çÂ Á‡ÒÓ‚˚‚‡ÈÚÂ Ô‡Î¸ˆ˚ ‚ Á‡ÁÓ˚.

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çËÍÓ„‰‡ ÌÂ Á‡ÒÓ‚˚‚‡ÈÚÂ Ë ÌÂ ÓÌﬂÈÚÂ ·ÛÏ‡„Û, ÏÂÚ‡ÎÎË˜ÂÒÍËÂ Ë ÔÓ˜ËÂ

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ‰ËÒÍÂÚ˚

ÔÂ‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËﬂ Ë Á‡ÁÓ˚ Ì‡ Ô‡ÌÂÎË Ë ÍÎ‡‚Ë‡ÚÛÂ. ÖÒÎË ˝ÚÓ

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óÚÓ·˚ ‰‡ÌÌ˚Â ÌÂ ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ ÌÓÒËÚÂÎﬂ, ÂÍÓÏÂÌ‰ÛÂÚÒﬂ

ÔÓËÁÓ¯ÎÓ, ÌÂÏÂ‰ÎÂÌÌÓ ÓÚÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ Ë ‚˚Ì¸ÚÂ ¯ÌÛ ËÁ ÓÁÂÚÍË.

ÒÓı‡ÌﬂÚ¸ Ì‡Ë·ÓÎÂÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â Ì‡ ‰‚Ûı ‰ËÒÍÂÚ‡ı.

á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó

Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha.

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çÂ ÍÎ‡‰ËÚÂ Ì‡ ËÌÒÚÛÏÂÌÚ ÔÂ‰ÏÂÚ˚ ËÁ ‚ËÌËÎ‡, ÔÎ‡ÒÚÏ‡ÒÒ˚ ËÎË ÂÁËÌ˚:

˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚Â˜Ë‚‡ÌË˛ Ô‡ÌÂÎË Ë ÍÎ‡‚Ë‡ÚÛ˚.

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çÂ Ò‡‰ËÚÂÒ¸ Ì‡ ËÌÒÚÛÏÂÌÚ Ë ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚, ‡

Ú‡ÍÊÂ ËÁ·Â„‡ÈÚÂ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË ÔÓÎ¸ÁÓ‚‡ÌËË ÍÌÓÔÍ‡ÏË,

‚˚ÍÎ˛˜‡ÚÂÎﬂÏË Ë ‡Á˙ÂÏ‡ÏË.

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çÂ ÒÎÂ‰ÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ËÁ·˚ÚÓ˜Ì˚Ï ÛÓ‚ÌÂÏ

„ÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ÒÎÛı‡. èË ‚ÂÏÂÌÌÓÈ ÔÓÚÂÂ

ÒÎÛı‡ ËÎË Á‚ÓÌÂ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.

äÓÔÓ‡ˆËﬂ Yamaha ÌÂ ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ, ‚ÓÁÌËÍ¯ËÂ ËÁ-Á‡ ÌÂÔ‡‚ËÎ¸ÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÎË ËÁ-Á‡ ÏÓ‰ËÙËÍ‡ˆËË ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊÂ

Á‡ ÛÚ‡˜ÂÌÌ˚Â ËÎË ËÒÔÓ˜ÂÌÌ˚Â ‰‡ÌÌ˚Â.

ÇÒÂ„‰‡ ÓÚÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ÔÓ ÓÍÓÌ˜‡ÌËË ‡·ÓÚ˚.

Ñ‡ÊÂ ‚ ÚÂı ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ÔËÚ‡ÌËﬂ Ì‡ıÓ‰ËÚÒﬂ ‚ ÔÓÎÓÊÂÌËË «STANDBY», ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎÊ‡ÂÚ ‚ ÏËÌËÏ‡Î¸Ì˚ı ÍÓÎË˜ÂÒÚ‚‡ı ÔÓÚÂ·ÎﬂÚ¸

˝ÎÂÍÚÓ˝ÌÂ„Ë˛. ÖÒÎË ËÌÒÚÛÏÂÌÚ ÌÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡ ÓÚÍÎ˛˜ÂÌ ÓÚ ÓÁÂÚÍË.

(3)-7 2/2

PSR-2000/1000

ëÔ‡ÒË·Ó Á‡ ÔËÓ·ÂÚÂÌËÂ ÒËÌÚÂÁ‡ÚÓ‡ Yamaha PSR-2000/1000!

êÂÍÓÏÂÌ‰ÛÂÏ ‚ÌËÏ‡ÚÂÎ¸ÌÓ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ Ò ‰‡ÌÌ˚Ï ÛÍÓ‚Ó‰ÒÚ‚ÓÏ,

˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ Ì‡Ë·ÓÎÂÂ ÔÓÎÌÓÂ ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó· ÓÚ‚Â˜‡˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚Ï

ÚÂ·Ó‚‡ÌËﬂÏ

ÙÛÌÍˆËÓÌ‡Î¸Ì˚ı ‚ÓÁÏÓÊÌÓÒÚﬂı ÏÓ‰ÂÎË PSR-2000/1000.

ç‡ÒÚÓﬂÚÂÎ¸ÌÓ ÂÍÓÏÂÌ‰ÛÂÏ ı‡ÌËÚ¸ ÛÍÓ‚Ó‰ÒÚ‚Ó

‚ Û‰Ó·ÌÓÏ Ë Ì‡‰ÂÊÌÓÏ ÏÂÒÚÂ, ˜ÚÓ·˚ ÓÌÓ ‚ÒÂ„‰‡ ·˚ÎÓ ÔÓ‰ ÛÍÓÈ.

PSR-2000/1000

ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË

■ Ä‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡ PA-300*

■ ÑËÒÍÂÚ‡ [ÒÓ‰ÂÊËÚ Ù‡ÈÎ˚ ÒÓ ÒÚËÎﬂÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 28 Ë 59) Ë ‰‡È‚Â MIDI (ÒÚ. 154)]

■ èÓ‰ÒÚ‡‚Í‡ ‰Îﬂ ËÌÒÚÛÏÂÌÚ‡ (ÒÚ. 17)

■ ë·ÓÌËÍ Ú‡·ÎËˆ

■ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ

* åÓÊÂÚ ÌÂ ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ‰Îﬂ ‚‡¯Â„Ó Â„ËÓÌ‡. ë‚ﬂÊËÚÂÒ¸ Ò Â„ËÓÌ‡Î¸Ì˚Ï ‰ËÎÂÓÏ Yamaha.

ë‚Â‰ÂÌËﬂ Ó ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë Ò·ÓÌËÍÂ Ú‡·ÎËˆ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚Â‰ÂÌËÂ», «ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó, «éÒÌÓ‚Ì˚Â

ÒÂ‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËﬂ» Ë «ëÔ‡‚Ó˜Ì˚Â Ï‡ÚÂË‡Î˚».

äÓÏÂ ÚÓ„Ó, ÓÚ‰ÂÎ¸ÌÓ ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ Ò·ÓÌËÍ Ú‡·ÎËˆ.

Ç‚Â‰ÂÌËÂ (ÒÚ. 2): ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒÎÂ‰ÛÂÚ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ ‚ ÔÂ‚Û˛ Ó˜ÂÂ‰¸.

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚ. 20): ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËﬂ Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌÍˆËÓÌ‡Î¸Ì˚ı ‚ÓÁÏÓÊÌÓÒÚﬂı

ËÌÒÚÛÏÂÌÚ‡.

éÒÌÓ‚Ì˚Â ÒÂ‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËﬂ (ÒÚ. 38): ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËﬂ Ó ÚÓÏ, Í‡Í ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÓÒÌÓ‚Ì˚Â ÒÂ‰ÒÚ‚‡

ÛÔ‡‚ÎÂÌËﬂ, ‚ ÚÓÏ ˜ËÒÎÂ ˝Í‡ÌÌ˚Â ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ.

ëÔ‡‚Ó˜Ì˚Â Ï‡ÚÂË‡Î˚ (ÒÚ. 52): ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Ì‡ÒÚÓÈÍ‡ı ËÌÒÚÛÏÂÌÚ‡ ‰Îﬂ Ò‡Ï˚ı

‡ÁÎË˜Ì˚ı ÒÔÓÒÓ·Ó‚ ÔËÏÂÌÂÌËﬂ PSR-2000/1000.

ë·ÓÌËÍ Ú‡·ÎËˆ: ÒÔËÒÓÍ „ÓÎÓÒÓ‚, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú. Ô.

* àÎÎ˛ÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ ÔË‚Â‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÚÓÎ¸ÍÓ ‚ Í‡˜ÂÒÚ‚Â ÔËÏÂÓ‚, ‚ ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓÒÚË ‚ÒÂ ÏÓÊÂÚ

‚˚„Îﬂ‰ÂÚ¸ ÌÂÒÍÓÎ¸ÍÓ ËÌ‡˜Â.

* ëÌËÏÍË ˝Í‡ÌÓ‚ Operation Guide (ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË), ÔË‚Â‰ÂÌÌ˚Â ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ‚˚ÔÓÎÌÂÌ˚ ‰Îﬂ ÏÓ‰ÂÎË PSR-2000 Ë

ÔÂ‰ÒÚ‡‚ÎÂÌ˚ ÚÓÎ¸ÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ ﬂÁ˚ÍÂ.

* Ñ‡ÌÌ˚È ÔÓ‰ÛÍÚ (PSR-2000) ÔÓËÁ‚Â‰ÂÌ ÔÓ ÎËˆÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊÂ

Ô‡ÚÂÌÚÓÏ No.5567901, ÔËÌ‡‰ÎÂÊ‡˘ËÏ IVL Technologies Ltd.

* ê‡ÒÚÓ‚˚Â ¯ËÙÚ˚, ËÒÔÓÎ¸ÁÛÂÏ˚Â ‚ ‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚÂ, ÔÂ‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓÏÔ‡ÌËÂÈ Ricoh Co., Ltd. Ë ﬂ‚Îﬂ˛ÚÒﬂ ÂÂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛.

* çÂÒ‡ÌÍˆËÓÌËÓ‚‡ÌÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ, Á‡˘Ë˘ÂÌÌÓ„Ó ‡‚ÚÓÒÍËÏ Ô‡‚ÓÏ, ÍÓÏÂ Í‡Í ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÍÓÌÂ˜Ì˚Ï

ÔÓÎ¸ÁÓ‚‡ÚÂÎÂÏ ‚ ÎË˜Ì˚ı ˆÂÎﬂı, Á‡ÔÂ˘‡ÂÚÒﬂ.

íÓ„Ó‚˚Â ÁÌ‡ÍË:

• Apple Ë Macintosh ﬂ‚Îﬂ˛ÚÒﬂ Óı‡ÌﬂÂÏ˚ÏË ÚÓ„Ó‚˚ÏË ÁÌ‡Í‡ÏË ÍÓÔÓ‡ˆËË Apple Computer.

• IBM-PC/AT ﬂ‚ÎﬂÂÚÒﬂ Óı‡ÌﬂÂÏ˚Ï ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË International Business Machines.

• Windows ﬂ‚ÎﬂÂÚÒﬂ Óı‡ÌﬂÂÏ˚Ï ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.

• ÇÒÂ ÓÒÚ‡Î¸Ì˚Â ÚÓ„Ó‚˚Â ÁÌ‡ÍË ﬂ‚Îﬂ˛ÚÒﬂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚Î‡‰ÂÎ¸ˆÂ‚.

PSR-2000/1000

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ

é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ ·ÂÂÊÌÓ. Ç˚ÔÓÎÌﬂÈÚÂ ‚ÒÂ ÔÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ ÏÂ˚ ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË.

• çËÍÓ„‰‡ ÌÂ Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËÏ‡Ú¸ ‰ËÒÍÂÚÛ ËÎË ‚˚ÍÎ˛˜‡Ú¸

ëÓ‚ÏÂÒÚËÏ˚Â ÚËÔ˚ ‰ËÒÍÂÚ

ÔËÚ‡ÌËÂ, ÍÓ„‰‡ Ë‰ÂÚ Á‡ÔËÒ¸ ‰‡ÌÌ˚ı. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

ÔÓ‚ÂÊ‰ÂÌË˛ ‰ËÒÍÂÚ˚, ‡ ‚ ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡ﬂı Ë ‰ËÒÍÓ‚Ó‰‡.

• ÑÓÔÛÒÍ‡ÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÚËÔÓ‚ ‰ËÒÍÂÚ 3,5″ 2DD Ë 2HD.

åÂ‰ÎÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚ ‰Ó ÛÔÓ‡, Ë

‰ËÒÍÂÚ‡ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚È‰ÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡. èÓÒÎÂ ÚÓ„Ó

Í‡Í ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ‚˚È‰ÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡, ÓÒÚÓÓÊÌÓ

ÇÒÚ‡‚Í‡/ËÁ‚ÎÂ˜ÂÌËÂ ‰ËÒÍÂÚ

ËÁ‚ÎÂÍËÚÂ ÂÂ.

• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚ ÒÎË¯ÍÓÏ ·˚ÒÚÓ

óÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰, ÌÂÓ·ıÓ‰ËÏÓ

ËÎË Ì‡Ê‡Ú¸ ÂÂ ÌÂ ‰Ó ÍÓÌˆ‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË

ÌÂÔ‡‚ËÎ¸ÌÓ. äÌÓÔÍ‡ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚ ÏÓÊÂÚ Á‡ÒÚﬂÚ¸

‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘ËÂ ‰ÂÈÒÚ‚Ëﬂ.

Ì‡ ÔÓÎÔÛÚË Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ ‰ËÒÍÂÚ‡ ‚˚È‰ÂÚ ËÁ

• ÑÂÊËÚÂ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, Ó·Ú˛‡ÚÓÓÏ ‚ÔÂÂ‰ ÔÓ

‰ËÒÍÓ‚Ó‰‡ ÚÓÎ¸ÍÓ Ì‡ ÌÂÒÍÓÎ¸ÍÓ ÏËÎÎËÏÂÚÓ‚. ÖÒÎË ˝ÚÓ

Ì‡Ô‡‚ÎÂÌË˛ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ

ÒÎÛ˜ËÚÒﬂ, ÌÂ Ô˚Ú‡ÈÚÂÒ¸ ‚˚Ú‡˘ËÚ¸ ‚˚¯Â‰¯Û˛ Ì‡ÔÓÎÓ‚ËÌÛ

‰ËÒÍÂÚÛ ‚ ÔÓÂÁ¸, ÔÓÚÓÎÍÌËÚÂ ‚ÔÂÂ‰ ‰Ó ÛÔÓ‡, ÔÓÍ‡ ÌÂ

‰ËÒÍÂÚÛ, ÔËÏÂÌÂÌËÂ ÒËÎ˚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛

ÛÒÎ˚¯ËÚÂ ˘ÂÎ˜ÓÍ Ë ÍÌÓÔÍ‡ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚ ÌÂ ÔËÏÂÚ

ÏÂı‡ÌËÁÏ‡ ‰ËÒÍÓ‚Ó‰‡ ËÎË Ò‡ÏÓÈ ‰ËÒÍÂÚ˚. óÚÓ·˚ ËÁ‚ÎÂ˜¸

ËÒıÓ‰ÌÓÂ ÔÓÎÓÊÂÌËÂ.

Ì‡ÔÓÎÓ‚ËÌÛ ‚˚¯Â‰¯Û˛ ‰ËÒÍÂÚÛ, ÔÓÔÓ·ÛÈÚÂ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ

Â˘Â ‡Á ËÎË ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë

ë‚ÂÚÓ‚ÓÈ ËÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡

ÔÓ‚ÚÓËÚÂ ÔÓˆÂ‰ÛÛ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚.

äÓ„‰‡ ÔËÚ‡ÌËÂ ‚ÍÎ˛˜ÂÌÓ, Ò‚ÂÚÓ‚ÓÈ ËÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡

• èÂÊ‰Â ˜ÂÏ ÓÚÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‚

(ÒÎÂ‚‡ ‚ÌËÁÛ) „ÓËÚ, ÛÍ‡Á˚‚‡ﬂ, ˜ÚÓ ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ

‰ËÒÍÓ‚Ó‰Â ÌÂ ÓÒÚ‡Î‡Ò¸ ‰ËÒÍÂÚ‡. ÑËÒÍÂÚ‡, Ì‡ıÓ‰ﬂ˘‡ﬂÒﬂ ‚

ËÒÔÓÎ¸ÁÓ‚‡Ú¸.

‰ËÒÍÓ‚Ó‰Â ‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, ÏÓÊÂÚ ÔÓÍ˚Ú¸Òﬂ Ô˚Î¸˛ Ë

Á‡„ﬂÁÌËÚ¸Òﬂ, ˜ÚÓ Ó·˚˜ÌÓ ÔË‚Ó‰ËÚ Í Ó¯Ë·Í‡Ï ÔË

Ò˜ËÚ˚‚‡ÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.

é˜ËÒÚÍ‡ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îﬂ Ò˜ËÚ˚‚‡ÌËﬂ/

Á‡ÔËÒË ‰‡ÌÌ˚ı

• çÂÓ·ıÓ‰ËÏÓ Â„ÛÎﬂÌÓ Ó˜Ë˘‡Ú¸ „ÓÎÓ‚ÍÛ Ò˜ËÚ˚‚‡ÌËﬂ/Á‡ÔËÒË

‰‡ÌÌ˚ı. ëËÌÚÂÁ‡ÚÓ ÓÒÌ‡˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ

óÚÓ·˚ ËÁ‚ÎÂ˜¸ ‰ËÒÍÂÚÛ, ‚˚ÔÓÎÌËÚÂ ÒÎÂ‰Û˛˘ËÂ

Ò˜ËÚ˚‚‡ÌËﬂ/Á‡ÔËÒË ‚˚ÒÓÍÓÈ ÚÓ˜ÌÓÒÚË, Ì‡ ÍÓÚÓÓÈ ÔÓÒÎÂ

‰ÂÈÒÚ‚Ëﬂ.

‰ÎËÚÂÎ¸ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ó·‡ÁÛÂÚÒﬂ ÒÎÓÈ Ï‡„ÌËÚÌ˚ı

èÂÊ‰Â ˜ÂÏ ‚˚ÌËÏ‡Ú¸ ‰ËÒÍÂÚÛ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ ÌÂÂ ÌÂ

˜‡ÒÚËˆ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌÌ˚ı ‰ËÒÍÂÚ, ˜ÚÓ ÏÓÊÂÚ ÒÓ ‚ÂÏÂÌÂÏ

Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‰‡ÌÌ˚Â.

ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ÔË Ò˜ËÚ˚‚‡ÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.

ÖÒÎË Ì‡ ‰ËÒÍÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‰‡ÌÌ˚Â ÚÂÍÛ˘ÂÈ ÓÔÂ‡ˆËË,

• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓﬂÌËË,

Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Now executing»

ÍÓÔÓ‡ˆËﬂ Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ‡Á ‚ ÏÂÒﬂˆ ËÒÔÓÎ¸ÁÓ‚‡Ú¸

(«Ç˚ÔÓÎÌﬂÂÚÒﬂ Á‡ÔËÒ¸ ‰‡ÌÌ˚ı»), «Now copying» («à‰ÂÚ

ËÏÂ˛˘Û˛Òﬂ ‚ ÔÓ‰‡ÊÂ ÒÔÂˆË‡Î¸ÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡

ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı») ËÎË «Now formatting»

‰Îﬂ Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. óÚÓ·˚ ‚˚ﬂÒÌËÚ¸, ËÏÂ˛ÚÒﬂ ÎË ÔÓ‰‡ÊÂ

(«èÓËÁ‚Ó‰ËÚÒﬂ ÙÓÏ‡ÚËÓ‚‡ÌËÂ»).

ÌÛÊÌ˚Â ‰ËÒÍÂÚ˚ ‰Îﬂ Ó˜ËÒÚÍË „ÓÎÓ‚ÍË, Ò‚ﬂÊËÚÂÒ¸ Ò

• èÂÂÏÂ˘ÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ, ‚ÒÚ‡‚Í‡, ÒÓı‡ÌÂÌËÂ Ë

ÏÂÒÚÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha.

Û‰‡ÎÂÌËÂ ‰‡ÌÌ˚ı (ÒÚ. 42 — 44).

• Ç ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ‚ÒÚ‡‚ÎﬂÚ¸ ÚÓÎ¸ÍÓ ‰ËÒÍÂÚ˚ ÛÍ‡Á‡ÌÌ˚ı

• Ç˚·Ó ËÏÂÌ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ (ÒÚ. 41); ÒÓÁ‰‡ÌËÂ ÌÓ‚ÓÈ

‚˚¯Â ÚËÔÓ‚. èË ÔÓÔ˚ÚÍÂ ‚ÒÚ‡‚ËÚ¸ Í‡ÍËÂ-ÎË·Ó ÔÓÒÚÓÓÌÌËÂ

Ô‡ÔÍË (ÒÚ. 44).

ÔÂ‰ÏÂÚ˚ ÏÓÊÌÓ ÔÓ‚Â‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ Ë ËÏÂ˛˘Û˛Òﬂ ‚ ÌÂÏ

• äÓÔËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚ Ì‡ ‰Û„ÓÈ ‰ËÒÍ (ÒÚ. 150);

‰ËÒÍÂÚÛ.

ÙÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚ (ÒÚ. 150).

äÌÓÔÍ‡ ËÁ‚ÎÂ˜ÂÌËﬂ

‰ËÒÍÂÚ˚

PSR-2000/1000

ÑÎﬂ Á‡˘ËÚ˚ ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÂ ‚˚ÔÓÎÌËÚÂ

ë‚Â‰ÂÌËﬂ Ó ‰ËÒÍÂÚ‡ı

ÒÎÂ‰Û˛˘ËÂ ‰ÂÈÒÚ‚Ëﬂ (Á‡˘ÂÎÍ‡ ‰Îﬂ Á‡˘ËÚ˚ ÓÚ

Á‡ÔËÒË).

éÒÚÓÓÊÌÓÂ Ó·‡˘ÂÌËÂ Ò ‰ËÒÍÂÚ‡ÏË ÔÂ‰ÔÓÎ‡„‡ÂÚ

• óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚË‡ÌËﬂ,

ÒÓ·Î˛‰ÂÌËÂ ÒÎÂ‰Û˛˘Ëı ÏÂ.

ÔÂÂÏÂÒÚËÚÂ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌËÂ «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚËÂ

• çÂ ÒÚ‡‚¸ÚÂ Ì‡ ‰ËÒÍÂÚ˚ ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚, ÌÂ Ò„Ë·‡ÈÚÂ Ë

ÓÚÍ˚ÚÓ).

ÌÂ ÔËÏÂÌﬂÈÚÂ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚

ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ, ı‡ÌËÚÂ Ëı ‚ Á‡˘ËÚÌ˚ı ÙÛÚÎﬂ‡ı.

• çÂ ÔÓ‰‚Â„‡ÈÚÂ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ ÔﬂÏÓ„Ó ÒÓÎÌÂ˜ÌÓ„Ó

Ò‚ÂÚ‡, ÒÎË¯ÍÓÏ ÌËÁÍËı Ë ÒÎË¯ÍÓÏ ‚˚ÒÓÍËı ÚÂÏÔÂ‡ÚÛ,

ËÁ·˚ÚÓ˜ÌÓÈ ‚Î‡ÊÌÓÒÚË, ËÁ·Â„‡ÈÚÂ ÒÍ‡ÔÎË‚‡ÌËﬂ Ì‡ ÌËı

Á‡˘eÎÍ‡ Á‡˘ËÚ˚ ÓÚ

Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËﬂ ÊË‰ÍÓÒÚË.

Á‡ÔËÒË ‚ ÓÚÍ˚ÚÓÈ

ÔÓÁËˆËË

• çÂ ÒÎÂ‰ÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ ‰ËÒÍÂÚ˚ Ë ÔËÍ‡Ò‡Ú¸Òﬂ Í

(Á‡ÔËÒ¸ Á‡Ôe˘eÌ‡)

ÔÓ‚ÂıÌÓÒÚË „Ë·ÍÓ„Ó ‰ËÒÍ‡.

• çÂ ÓÒÚ‡‚ÎﬂÈÚÂ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ

ÔÓ‰‚Â„ÌÛÚ¸Òﬂ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ Ï‡„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂÎÂ‚ËÁÓÓ‚,

ÍÓÎÓÌÓÍ, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚.

å‡„ÌËÚÌ˚Â ÔÓÎﬂ ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚË˜ÌÛ˛ ËÎË ÔÓÎÌÛ˛

ÑÛ·ÎËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı

ÛÚ‡ÚÛ ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÂ, Ò‰ÂÎ‡‚ ÂÂ ÌÂ

• ÑÎﬂ Ó·ÂÒÔÂ˜ÂÌËﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı

ÔË„Ó‰ÌÓÈ Í ËÒÔÓÎ¸ÁÓ‚‡ÌË˛.

ÍÓÔÓ‡ˆËﬂ Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓÎÂÂ

• çËÍÓ„‰‡ ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌ˚Ï

‚‡ÊÌ˚ı ‰‡ÌÌ˚ı Ì‡ ‰‚Ûı ‰ËÒÍÂÚ‡ı. ùÚÓ ÔÓÁ‚ÓÎËÚ ·˚ÒÚÓ

Ó·Ú˛‡ÚÓÓÏ ËÎË ÍÓÔÛÒÓÏ.

‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚Â ÔË ÔÓÚÂÂ ËÎË ÔÓ‚ÂÊ‰ÂÌËË Ó‰ÌÓÈ

• çËÍÓ„‰‡ ÌÂ ÔËÍÂÔÎﬂÈÚÂ ÌË˜Â„Ó Í ‰ËÒÍÂÚÂ, ÍÓÏÂ

ËÁ ‰ËÒÍÂÚ. ÑÎﬂ ÒÓÁ‰‡ÌËﬂ ÂÁÂ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓÎ¸ÁÛÈÚÂ

ÒÔÂˆË‡Î¸Ì˚ı Ì‡ÍÎÂÂÍ, ÔÓÒÚ‡‚ÎﬂÂÏ˚ı ‚ÏÂÒÚÂ Ò ‰ËÒÍÂÚ‡ÏË.

ÙÛÌÍˆË˛ Á‡ÔËÒË Ò ‰ËÒÍÂÚ˚ Ì‡ ‰ËÒÍÂÚÛ, ÓÔËÒ‡ÌÌÛ˛ Ì‡

ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÍÎÂÈÍË ÔËÍÎÂÂÌ˚ ‚ ÒÔÂˆË‡Î¸ÌÓ

ÒÚ. 150.

ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌÓÏ ÏÂÒÚÂ.

ë‚Â‰ÂÌËﬂ Ó ÒÓÓ·˘ÂÌËﬂı Ì‡ ˝Í‡ÌÂ

àÌÓ„‰‡ Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÒÓÓ·˘ÂÌËÂ (ËÌÙÓÏ‡ˆËÓÌÌÓÂ ËÎË ÚÂ·Û˛˘ÂÂ ÓÚ‚ÂÚ‡ Ì‡ ‚ÓÔÓÒ) Ò ÔÓ‰ÒÍ‡ÁÍÓÈ ÓÚÌÓÒﬂ˘ÂÈÒﬂ Í

‚˚ÔÓÎÌÂÌË˛ ÚÓÈ ËÎË ËÌÓÈ ÓÔÂ‡ˆËË.

èË ÔÓﬂ‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËﬂ ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‚ÒÂ ËÌÒÚÛÍˆËË Ì‡ ˝Í‡ÌÂ, Ì‡Ê‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ.

ç‡ ˝Í‡ÌÂ ÏÓÊÌÓ ‚˚·‡Ú¸ ﬂÁ˚Í

ÒÓÓ·˘ÂÌËÈ (ÒÚ. 49).

Ç ÔË‚Â‰ÂÌÌÓÏ ÔËÏÂÂ ÒÎÂ‰ÛÂÚ

Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [G] (YES) (‰‡) ‰Îﬂ

‚˚ÔÓÎÌÂÌËﬂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ.

PSR-2000/1000

é„Î‡‚ÎÂÌËÂ

Introduction……………………………………….. 2

èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı

åÖêõ ÅÖáéèÄëçéëíà……………………………………………………. 3

ÔÂÒÂÌ ………………………………………………. 52

ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË …………………………………. 6

ë‚Â‰ÂÌËﬂ Ó ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë Ò·ÓÌËÍÂ

ÉÓÎÓÒ‡ …………………………………………….. 54

Ú‡·ÎËˆ …………………………………………………………………………… 6

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ………………………………… 7

Ç˚·Ó „ÓÎÓÒ‡ …………………………………………………………………. 54

ë‚Â‰ÂÌËﬂ Ó ÒÓÓ·˘ÂÌËﬂı Ì‡ ˝Í‡ÌÂ………………………………….. 8

ÉÓÎÓÒ‡ Layer Ë Left — Ë„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ

èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ ………………………………………………….. 12

ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚……………………………………………………. 56

éÒÌÓ‚Ì˚Â ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000.…… 14

ëÎÓÈ — ëÏÂ¯Ë‚‡ÌËÂ ‰‚Ûı ‡ÁÌ˚ı „ÓÎÓÒÓ‚ ……………………….56

èÓ‰ÍÎ˛˜ÂÌËÂ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000 …………………….. 16

ÉÓÎÓÒ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË — ìÒÚ‡ÌÓ‚Í‡ ‡ÁÎË˜Ì˚ı „ÓÎÓÒÓ‚

è‡ÌÂÎ¸Ì˚Â Â„ÛÎﬂÚÓ˚ Ë ‡Á˙ÂÏ˚ ………………………………..18

‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ………………………….. 57

èËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚……………………………………………………57

äÓÎÂÒ‡ ÛÔ‡‚ÎÂÌËﬂ ‚˚ÒÓÚÓÈ Á‚ÛÍ‡ (PITCH BEND) Ë

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó……………………… 20

ÏÓ‰ÛÎﬂˆËÂÈ (MODULATION) …………………………………………58

èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ……………………… 20

êÂ„ÛÎËÓ‚Í‡ Ô‡‡ÏÂÚ‡ Octave

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË ………………………………………………… 21

(Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ Ì‡ ÓÍÚ‡‚Û)…………………………………… 58

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ ……………………………………………………21

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ „ÓÎÓÒÓ‚ …………………………………………….. 25

ëÚËÎË………………………………………………. 59

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ „ÓÎÓÒ‡…………………………………………………..25

à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏﬂ „ÓÎÓÒ‡ÏË …………………………………26

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ…………………………………………………. 59

ê‡ÁÌ˚Â „ÓÎÓÒ‡ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ ……………………………..27

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÓÎ¸ÍÓ ËÚÏË˜ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎﬂ ……… 61

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ ………………………………………………. 28

êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË/‚˚ÍÎ˛˜ÂÌËÂ Í‡Ì‡ÎÓ‚…………………… 61

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ…………………………………………………….28

ÄÍÍÓ‰Ó‚‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡……………………………………………….. 62

ó‡ÒÚË ÒÚËÎﬂ………………………………………………………………………30

Ä‡ÌÊËÓ‚Í‡ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»……………………………………………..32

(óÄëíà: MAIN A/B/C/D (ÓÒÌÓ‚Ì‡ﬂ), INTRO (ËÌÚÓ‰ÛÍˆËﬂ),

îÛÌÍˆËﬂ Music Finder (ÔÓËÒÍ ÍÓÏÔÓÁËˆËË) ……………………. 33

ENDING (ÙËÌ‡Î), BREAK (·ÂÈÍ)) …………………………………………..64

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËË Music Finder………………………………..33

éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ÔË ÒÌﬂÚËË ÛÍ Ò

èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder……………………………………..34

ÍÎ‡‚Ë‡ÚÛ˚ (SYNC. STOP)……………………………………………. 65

èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ……………………………………………………….. 36

Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰ÛÍˆËÈ Ë ÙËÌ‡ÎÓ‚ (INTRO/ENDING)…….. 66

èÓ‰˚„˚‚‡ÂÏ PSR-2000/1000……………………………………………36

Ä‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ÔÓË„˚‚‡ÌËÂ ‚ÒÚ‡‚ÓÍ ÔË

á‡ÔËÒ¸ ……………………………………………………………………………..37

ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — Auto Fill In……………..66

ç‡ÒÚÓÈÍ‡ ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ

éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË

(ÙÛÌÍˆËﬂ ONE TOUCH SETTING) …………………………………………….67

Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ÒÏÂÌ‡ Ì‡ÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ

— Ó„‡ÌËÁ‡ˆËﬂ ‰‡ÌÌ˚ı…………………… 38

˜‡ÒÚË Í ‰Û„ÓÈ — OTS Link…………………………………………….68

èËÏÂ ˝Í‡Ì‡ Open/Save…………………………………………………39

ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»

Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ…………………………………………………… 40

(ONE TOUCH SETTING)………………………………………………… 68

éÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË Ë Ô‡ÔÍ‡ÏË …………………………………….. 41

Ç˚ÁÓ‚ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Ç˚·Ó ËÏÂÌ ‰Îﬂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ……………………………………….41

— Music Finder …………………………………………………………….. 69

èÂÂÏÂ˘ÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ………………………………………….42

èÓËÒÍ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Music Finder.. 70

äÓÔËÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ……………………………………………43

êÂ‰‡ÍÚËÓ‚‡ÌËÂ Á‡ÔËÒÂÈ — Music Finder ………………………….. 71

ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ…………………………………………………43

ëÓı‡ÌÂÌËÂ Ù‡ÈÎÓ‚………………………………………………………….44

åÛÎ¸ÚËÔ˝‰˚ ……………………………………. 73

é„‡ÌËÁ‡ˆËﬂ Ù‡ÈÎÓ‚ ÔÛÚÂÏ ÒÓÁ‰‡ÌËﬂ ÌÓ‚ÓÈ Ô‡ÔÍË…………….44

èÂÂıÓ‰ Ì‡ ÒÚ‡ÌËˆ˚ ‚ÂıÌËı ÛÓ‚ÌÂÈ ……………………………..44

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÛÎ¸ÚËÔ˝‰Ó‚ …………………………………….. 73

Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ÏÓ‰ËÙËÍ‡ˆËﬂ ÁÌ‡˜ÍÓ‚…………………………….44

ç‡ÒÚÓÈÍ‡ Ì‡ ‡ÍÍÓ‰……………………………………………………….73

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍ‡ ÛÔ‡‚ÎÂÌËﬂ [DATA ENTRY] …………. 46

êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÏÛÎ¸ÚËÔ˝‰Ó‚……………………………………….. 74

îÛÌÍˆËﬂ ÔﬂÏÓ„Ó ‰ÓÒÚÛÔ‡ — ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡…… 47

èÓ‰ÒÍ‡ÁÍË……………………………………………………………………….. 49

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË…………………. 75

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡…………………………………………….. 50

êÂ„ÛÎËÓ‚Í‡ ÚÂÏÔ‡…………………………………………………………. 50

èÓ‰‰ÂÊË‚‡ÂÏ˚Â ÚËÔ˚ ÔÂÒÂÌ ……………………………………….. 75

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏÔ‡………………………………………………51

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË…………………………………………………. 76

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ………………………………… 76

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ …………………………………… 78

èÓ˜ËÂ ÓÔÂ‡ˆËË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ …………… 78

PSR-2000/1000

èË„ÎÛ¯ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ

ëÓÁ‰‡ÌËÂ ÏÛÎ¸ÚËÔ˝‰‡

— ‰ÓÓÊÍ‡1/‰ÓÓÊÍ‡2/‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ÓÓÊÍË…….. 79

— ÙÛÌÍˆËﬂ Multi Pad Creator…………. 118

èÓ‚ÚÓ ÓÔÂ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË………………………79

éÚÓ·‡ÊÂÌËÂ ÌÓÚ

èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ……………………………………. 118

— (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË PSR-2000) …………………… 80

á‡ÔËÒ¸ ÏÛÎ¸ÚËÔ˝‰‡ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË — Record…….. 119

éÚÓ·‡ÊÂÌËÂ ÚÂÍÒÚ‡ ÔÂÒÌË……………………………………………. 83

ç‡˜‡ÎÓ Á‡ÔËÒË………………………………………………………………..119

éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË …………………………………………………………..119

èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸ Ë Â‰‡ÍÚËÓ‚‡ÌËÂ ÏÛÎ¸ÚËÔ˝‰Ó‚

ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁÍ‡

— ‚ÍÎ‡‰Í‡ Edit…………………………………………………………… 120

ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡·ÓÓ‚

Ô‡‡ÏÂÚÓ‚

êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡

— Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸……………. 84

„ÓÎÓÒÓ‚ — Mixing Console…………….. 121

êÂ„ËÒÚ‡ˆËﬂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚

ìÔ‡‚ÎÂÌËÂ ÏËÍ¯ÂÓÏ ………………………………………………….121

— Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸………………………………………..84

ìÒÚ‡ÌÓ‚Í‡ „ÓÏÍÓÒÚË Ë „ÓÎÓÒ‡ — Volume/Voice…………… 122

ëÓı‡ÌÂÌËÂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚………………………………………85

àÁÏÂÌÂÌËÂ ÚÂÏ·‡ „ÓÎÓÒ‡ — Filter……………………………….. 123

á‡„ÛÁÍ‡ Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚…………………………………………. 86

àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚ÛÍ‡

— Tune………………………………………………………………………..123

êÂ‰‡ÍÚËÓ‚‡ÌËÂ „ÓÎÓÒÓ‚

ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚……………………………………………………. 124

ëÚÛÍÚÛÌ‡ﬂ ÒıÂÏ‡ ˝ÙÙÂÍÚÓ‚………………………………………… 126

— ÙÛÌÍˆËﬂ Sound Creator……………….. 87

ç‡ÒÚÓÈÍ‡ ˝Í‚‡Î‡ÈÁÂ‡

èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ……………………………………… 87

— EQ (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË PSR-2000) ……………. 127

è‡‡ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡…………………………………………. 88

é„‡ÌÌ˚Â ÙÎÂÈÚ˚ (ÚÓÎ¸ÍÓ ‰Îﬂ PSR-2000)……………………… 91

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡

— MIC. (PSR-2000)………………………….. 128

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ

Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡……………………………….. 129

ÔÂÒÂÌ — ÙÛÌÍˆËﬂ Song Creator ………. 92

ç‡ÒÚÓÈÍ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ˝ÙÙÂÍÚÓ‚ ‰Îﬂ

é Á‡ÔËÒË ÔÂÒÂÌ……………………………………………………………….. 92

Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó ÒË„Ì‡Î‡

Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸………………………………………………………………. 93

— MICROPHONE SETTING …………………………………………..130

êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓÎ¸ÍËı „ÓÎÓÒÓ‚ ………………………………..94

ç‡ÒÚÓÈÍ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ÏËÍÓÙÓÌ‡

á‡ÔËÒ¸ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ — èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸ ………………… 96

— MICROPHONE SETTING …………………………………………..130

èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ………………………………………….96

ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌ‡ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚

á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ — Step Record (Note)………………………………98

— ÒÚ‡ÌËˆ‡ TALK SETTING ………………………………………… 132

á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡………………….99

Ç˚·Ó Ô‡‡ÏÂÚÓ‚: Ì‡˜‡ÎÓ, ÍÓÌÂˆ, ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ

ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚

‚ÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ Á‡ÔËÒË…………………………………101

êÂ‰‡ÍÚËÓ‚‡ÌËÂ Á‡ÔËÒË ……………………………………………….. 102

— ÏÂÌ˛ Function …………………………… 133

êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í Í‡Ì‡Î‡Ï……..102

èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ…………………………………………………………133

êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ — 1 — 16……………………….105

êÂ‰‡ÍÚËÓ‚‡ÌËÂ ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ — CHD …………………106

êÂ„ÛÎËÓ‚Í‡ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔÂ‡ˆËË

êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ — SYS/EX.

— Master Tune/Scale Tune………………………………………….. 135

(ËÒÍÎ˛˜ËÚÂÎ¸Ì˚Â ÒËÒÚÂÏÌ˚Â ÒÓÓ·˘ÂÌËﬂ)…………………….106

èÓ‰ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ ‚ÒÂı „ÓÎÓÒÓ‚ — Master Tune …………….135

Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÍÒÚ‡ ÔÂÒÂÌ………………………………107

Ç˚·Ó ÚÂÏÔÂ‡ˆËË — Scale Tune…………………………………….135

ç‡ÒÚÓÈÍ‡ ÒÔËÒÍ‡ ÒÓ·˚ÚËÈ — …………………………………………107

ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í ÔÂÒÌÂ

— Song Settings …………………………………………………………. 137

ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ

— ÙÛÌÍˆËﬂ Style Creator……………….. 108

— Style Setting, Split Point Ë Chord Fingering …………….. 138

é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡……………………………. 108

ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ

îÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ (SFF)…………………………………………… 109

— ÒÚ‡ÌËˆ‡ Style Setting/Split Point ………………………………138

èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ……………………………………. 109

Ç˚·Ó ‡ÔÔÎËÍ‡ÚÛ˚ — Chord Fingering ……………………………139

á‡ÔËÒ¸ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË — Basic …………………………… 110

ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÔÂ‰‡ÎÂÈ

èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸ ………………………………………………………… 111

— Controller ……………………………………………………………….. 139

ë·ÓÍ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Assembly…………………112

ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÔÂ‰‡ÎÂÈ……………………………………… 139

àÁÏÂÌÂÌËÂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í Ì‡Ê‡ÚË˛, Ì‡ÒÚÓÈÍ‡

êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡……………………… 113

Ô‡‡ÏÂÚÓ‚ ÏÓ‰ÛÎﬂˆËË Ë Ú‡ÌÒÔÓÁËˆËË

àÁÏÂÌÂÌËÂ ËÚÏ‡ — ÙÛÌÍˆËË Groove Ë Dynamics …………….113

— Keyboard/Panel………………………………………………………..141

êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚ Í‡Ì‡Î‡……………………………….115

ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ Ù‡ÈÎ‡ SMF — Parameter……………..116

PSR-2000/1000

ç‡ÒÚÓÈÍ‡ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ‚˚ÁÓ‚‡ Â„ËÒÚ‡ˆËÓÌÌ˚ı

Ù‡ÈÎÓ‚, Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» Ë „ÓÎÓÒ‡. ……………. 142

ìÍ‡Á‡ÌËÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ‚˚ÁÓ‚‡ Â„ËÒÚ‡ˆËÓÌÌ˚ı

Ù‡ÈÎÓ‚ — Registration Sequence ………………………………….142

ëÓı‡ÌÂÌËÂ ÁÌ‡˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË

— Freeze……………………………………………………………………..142

àÁÏÂÌÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ „ÓÎÓÒ‡

Ç‚e‰eÌËe

— Voice Set …………………………………………………………………143

ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡…………………… 143

ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ MIDI………………………………………….. 145

ä‡ÚÍÓe ÛÍÓ‚Ó‰ÒÚ‚Ó

é·˘‡ﬂ Ì‡ÒÚÓÈÍ‡ ÒËÒÚÂÏ˚

(Ô‡‡ÏÂÚ˚ Local Control, Clock Ë Ú. ‰.) — System …………145

èÂÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ — Transmit …………………………….146

éÒÌÓ‚Ì˚e ÓÔe‡ˆËË — Ó„‡ÌËÁ‡ˆËﬂ ‰‡ÌÌ˚ı

èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ — Receive…………………………………..147

ç‡ÁÌ‡˜ÂÌËÂ Í‡Ì‡ÎÓ‚ ‰Îﬂ ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ — Root…………….147

ç‡ÁÌ‡˜ÂÌËÂ Í‡Ì‡ÎÓ‚ ‰Îﬂ ‡ÍÍÓ‰Ó‚ — Chord Detect ………….147

ÇÓÒÔÓËÁ‚e‰eÌËe ‰eÏÓÌÒÚ‡ˆËÈ

èÓ˜ËÂ Ô‡‡ÏÂÚ˚ — Utility………………………………………….. 148

ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÙÂÈ‰ËÌ„‡, ÏÂÚÓÌÓÏ‡, ‡ Ú‡ÍÊÂ

ÙÛÌÍˆËÈ ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë ÛÍ‡Á‡ÌËﬂ ËÚÏ‡

ÉÓÎÓÒ‡

— CONFIG 1………………………………………………………………..148

ç‡ÒÚÓÈÍ‡ ‰ËÒÔÎÂﬂ Ë ÓÚÓ·‡ÊÂÌËﬂ ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚

— CONFIG 2………………………………………………………………..149

CÚËÎË

äÓÔËÓ‚‡ÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ — Disk ………………150

ìÍ‡Á‡ÌËÂ ËÏÂÌË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë ‚˚·Ó ﬂÁ˚Í‡ — Owner …..151

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2000/1000

åÛÎ¸ÚËÔ˝‰

— System Reset …………………………………………………………..151

ÇÓÒÔÓËÁ‚e‰eÌËe ÔeÒÌË

èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í

ÒËÌÚÂÁ‡ÚÓÛ PSR-2000/1000…………… 152

CÓı‡ÌeÌËe Ë ‚˚ÁÓ‚ ÔÓÎ¸ÁÓ‚‡ÚeÎ¸ÒÍËı

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡Û¯ÌËÍÓ‚ (‡Á˙ÂÏ PHONES)………………….152

Ì‡·ÓÓ‚ Ô‡‡ÏeÚÓ‚ — Registration Memory

èÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌ‡ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)

(ÚÓÎ¸ÍÓ ‰Îﬂ ÏÓ‰ÂÎË PSR-2000). ……………………………………152

èÓÒÎÛ¯Ë‚‡ÌËÂ PSR-2000/1000 ˜ÂÂÁ ÍÓÎÓÌÍË

êe‰‡ÍÚËÓ‚‡ÌËe „ÓÎÓÒÓ‚ — Sound Creator

‡Û‰ËÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ Ì‡ ‚ÌÂ¯ÌÂÂ ÛÒÚÓÈÒÚ‚Ó

(„ÌÂÁ‰‡ AUX OUT/OUTPUT)………………………………………….153

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎeÌËÈ Ë ÒÓÁ‰‡ÌËe ÔeÒeÌ

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎË (ÌÓÊÌÓ„Ó ÔÂÂÍÎ˛˜‡ÚÂÎﬂ)

— ÙÛÌÍˆËﬂ Song Creator

ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓÎÎÂ‡ (‡Á˙ÂÏ FOOT PEDAL 1/2) …..153

èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚)………..153

CÓÁ‰‡ÌËe ÒÚËÎeÈ ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

èÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (MIDI-ÔÓÚ˚/ÔÓÚ TO HOST)…154

— ÙÛÌÍˆËﬂ Style Creator

• óÚÓ Ú‡ÍÓÂ MIDI?…………………………………………………………….155

óÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò ÔÓÏÓ˘¸˛ MIDI? ………………………………158

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı …………………………………………………..158

CÓÁ‰‡ÌËe ÏÛÎ¸ÚËÔ˝‰‡ — ÙÛÌÍˆËﬂ Multi Pad Creator

îÓÏ‡Ú ‰ËÒÍÂÚ ……………………………………………………………….158

îÓÏ‡Ú ÒÂÍ‚ÂÌˆËË ………………………………………………………….159

êe„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏeÌ‡ „ÓÎÓÒÓ‚

îÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ „ÓÎÓÒÓ‚………………………………………159

— Mixing Console

ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ …………………. 160

àÒÔÓÎ¸ÁÓ‚‡ÌËe ÏËÍÓÙÓÌ‡ — MIC. (PSR-2000)

íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË……….. 162

ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏeÚÓ‚

— Function

èe‰ÏeÚÌ˚È ÛÍ‡Á‡ÚeÎ¸…………………. 164

èÓ‰ÍÎ˛˜eÌËe ‚Ìe¯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚeÁ‡ÚÓÛ

èËÎÓÊeÌËe

PSR-2000/1000

èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸

ùÚÓÚ ÛÍ‡Á‡ÚÂÎ¸ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òﬂ ‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆ˚ Ò

ÓÔËÒ‡ÌËÂÏ ÌÂﬂÒÌÓ„Ó ‚ÓÔÓÒ‡.

èÓÒÎÛ¯Ë‚‡ÌËÂ

èÓÒÎÛ¯Ë‚‡ÌËÂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ…………………………………………………………………………………………………………………………ÒÚ. 75

èÓÒÎÛ¯Ë‚‡ÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ………………………………………………………………«ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚» Ì‡ ÒÚ. 78

èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ……………………………………………………………………………………………………………..ÒÚ. 52

èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÁÏÓÊÌÓÒÚÂÈ „ÓÎÓÒ‡……………………………………………………………………………………………..ÒÚ. 54

èÓÒÎÛ¯Ë‚‡ÌËÂ ÔÂÒÂÌ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ „ÓÎÓÒÓ‚ PSR-2000/1000 …………………………………………………………………………ÒÚ. 122

à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ

Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡…………………. «è‡‡ÏÂÚ Transpose Assign (Ó·˙ÂÍÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ)» Ì‡ ÒÚ. 141

ëÓ˜ÂÚ‡ÌËÂ ‰‚Ûı „ÓÎÓÒÓ‚……………………………. «ÉÓÎÓÒ‡ Layer Ë Left — Ë„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚» Ì‡ ÒÚ. 56

ê‡ÁÌ˚Â „ÓÎÓÒ‡ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ

……………………«ÉÓÎÓÒ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË — ìÒÚ‡ÌÓ‚Í‡ ‡ÁÎË˜Ì˚ı „ÓÎÓÒÓ‚ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚» Ì‡ ÒÚ. 57

àÁÏÂÌÂÌËÂ Á‚ÛÍ‡

ä‡Í ‰Ó·ËÚ¸Òﬂ ·ÓÎÂÂ ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Á‚Û˜‡ÌËﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í Í‡Ò‡ÌË˛ Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚

……………………………………………………………………………………………………………………………..«èËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚» Ì‡ ÒÚ. 57

………………………………………………………………………………………………………………………………«ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚» Ì‡ ÒÚ. 124

êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË ………………………………………………………………………………………………………………………………………..ÒÚ. 122

ê‡ÁÌ˚Â „ÓÎÓÒ‡ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ

ëÓÁ‰‡ÌËÂ „ÓÎÓÒÓ‚ ………………………………………………………………………………………………………………………………………………….ÒÚ. 87

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Ä‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚ÍÎ˛˜ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ………………………………………………………………………………………………….ÒÚ. 59

Ç˚ÁÓ‚ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡…………………………………………………………………………………………………………….ÒÚ. 69

à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ

ÄÍÍÛ‡ÚÌ‡ﬂ Ë„‡ ÒÓ„Î‡ÒÌÓ ˜ÂÚÍÓÏÛ ËÚÏÛ……………………………………………………………..«àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡» Ì‡ ÒÚ. 50

á‡ÔËÒ¸

á‡ÔËÒ¸ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ………………………………………………………………………………………………………………………………ÒÚ. 93, 94

ëÓÁ‰‡ÌËÂ ÔÂÒÌË ÔÛÚÂÏ ‚‚Ó‰‡ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ ………………………………………………………………………………………………………….ÒÚ. 96

ëÓÁ‰‡ÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡ÒÚÓÂÍ

ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡………………………………………………………………………………………………………………………..ÒÚ. 108

ëÓÁ‰‡ÌËÂ ÏÛÎ¸ÚËÔ˝‰Ó‚ …………………………………………………………………………………………………………………………………………ÒÚ. 118

PSR-2000/1000

èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡ (ÚÓÎ¸ÍÓ Û PSR-2000)

èÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌ‡ ………………………………………………………………………….. ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN) Ì‡ ÒÚ. 152

Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ „‡ÏÓÌËÁ‡ˆËﬂ ÔÂÌËﬂ ………………………………………………………………………………………………………………….ÒÚ. 129

è‡‡ÏÂÚ˚

êÂ„ËÒÚ‡ˆËﬂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ………………………………………………………………………………………………………………………….ÒÚ. 84

ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡/‚˚·Ó ÒÚÓﬂ…………………………………………………………………………………………………………………..ÒÚ. 135

íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ…………………………………………………………………………………………………..ÒÚ. 137

íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡……………………………………………………………………………………………..ÒÚ. 138

íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ „ÓÎÓÒÓ‚, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚ ………………………………………………………………………………………………ÒÚ. 141

íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ MIDI………………………………………………………………………………………………………………………ÒÚ. 145

èÓ‰ÍÎ˛˜ÂÌËÂ PSR-2000/1000 Í ‚ÌÂ¯ÌËÏ ÛÒÚÓÈÒÚ‚‡Ï

éÒÌÓ‚Ì˚Â Ò‚Â‰ÂÌËﬂ Ó MIDI ……………………………………………………………………………………………….«• óÚÓ Ú‡ÍÓÂ MIDI?» Ì‡ ÒÚ. 155

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËﬂ………………………………. «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚PSR-2000/1000 Ò ÔÓÏÓ˘¸˛ ‚ÌÂ¯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚

Ë Á‡ÔËÒ¸ Ì‡ ‚ÌÂ¯ÌÂÂ Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT/OUTPUT)» Ì‡ ÒÚ. 153

ì‚ÂÎË˜ÂÌËÂ „ÓÏÍÓÒÚË …………………………… «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚PSR-2000/1000 Ò ÔÓÏÓ˘¸˛ ‚ÌÂ¯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚

Ë Á‡ÔËÒ¸ Ì‡ ‚ÌÂ¯ÌÂÂ Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT/OUTPUT)» Ì‡ ÒÚ. 153

èÓ‰ÍÎ˛˜ÂÌËÂ ÍÓÏÔ¸˛ÚÂ‡……………………………………. «èÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (MIDI-ÔÓÚ˚/ÔÓÚ TO HOST)» Ì‡ ÒÚ. 154

Å˚ÒÚÓÂ Â¯ÂÌËÂ ÔÓ·ÎÂÏ˚

éÒÌÓ‚Ì˚Â ÙÛÌÍˆËË PSR-2000/1000. é ÚÓÏ, Í‡Í ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ÓÁÏÓÊÌÓÒÚﬂÏË ÒËÌÚÂÁ‡ÚÓ‡ «Ì‡ ‚ÒÂ ÒÚÓ» ………ÒÚ. 12, 14

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ PSR-2000/1000

……………………………………………………«ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2000/1000 — System Reset» Ì‡ ÒÚ. 151

éÚÓ·‡ÊÂÌËÂ ÒÓÓ·˘ÂÌËÈ……………………………………………………………………………«ë‚Â‰ÂÌËﬂ Ó ÒÓÓ·˘ÂÌËﬂı Ì‡ ˝Í‡ÌÂ» Ì‡ ÒÚ. 8

ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ …………………………………………………………………………………………………………………………………………ÒÚ. 160

PSR-2000/1000

DIGITAL

STUDIO

SOUND CREATOR

DIGITAL RECORDING

MIXING CONSOLE

DEMO

HELP

FUNCTION

BALANCE

DIRECT

ACCESS

EXIT

CHANNEL ON/OFF

PART

DAT

PSR-2000/1000

BACK

FIN

LAY

81 2 3 4 5 6 7

éÒÌÓ‚Ì˚Â ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000.

åÛÎ¸ÚËÔ˝‰˚

DEMO (ÑÂÏÓÌÒÚ‡ˆËﬂ)

SONG (èÂÒÌﬂ)

ÑÓ·‡‚¸ÚÂ «ËÁ˛ÏËÌÍÛ» Í Ò‚ÓÂÏÛ

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ

‚˚ÒÚÛÔÎÂÌË˛, ËÒÔÓÎ¸ÁÛﬂ

‰ÂÏÓÌÒÚ‡ˆËÈ (ÒÚ. 20, 52)

Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 21, 36, 75)

ÒÓ·ÒÚ‚ÂÌÌ˚Â ÓË„ËÌ‡Î¸Ì˚Â Ù‡Á˚

ÑÂÏÓÌÒÚ‡ˆËË ÌÂ ÚÓÎ¸ÍÓ

àÏÂÂÚÒﬂ Ó„ÓÏÌ˚È ‚˚·Ó ‚ÒÚÓÂÌÌ˚ı

(ÒÚ. 73, 118)

ËÎÎ˛ÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË

ÔÂÒÂÌ, ÏÓÊÌÓ Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔÂÒÌË Ò

„ÓÎÓÒÓ‚ Ë ÒÚËÎÂÈ ËÌÒÚÛÏÂÌÚ‡,

ç‡Ê‡‚ ÍÌÓÔÍÛ Ó‰ÌÓ„Ó ËÁ ÏÛÎ¸ÚËÔ˝‰Ó‚, ÏÓÊÌÓ

‰ËÒÍÓ‚, ÔËÓ·ÂÚÂÌÌ˚ı ‰ÓÔÓÎÌËÚÂÎ¸ÌÓ.

ÌÓ Ë ÔÓÍ‡Á˚‚‡˛Ú ‡ÁÎË˜Ì˚Â Â„Ó

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÓÚÍËÂ ËÚÏË˜ÂÒÍËÂ Ë

ÙÛÌÍˆËË Ë ‚ÓÁÏÓÊÌÓÒÚË,

ÏÂÎÓ‰Ë˜ÂÒÍËÂ Ù‡Á˚. åÓÊÌÓ Ú‡ÍÊÂ

ÔÓÁ‚ÓÎﬂﬂ Ô‡ÍÚËÍÓ‚‡Ú¸Òﬂ ‚

ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â ÓË„ËÌ‡Î¸Ì˚Â

ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÒËÌÚÂÁ‡ÚÓ‡

Ù‡Á˚ ÏÛÎ¸ÚËÔ˝‰‡, Á‡ÔËÒ˚‚‡ﬂ Ëı

PSR-2000/1000!

ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ Ò ÍÎ‡‚Ë‡ÚÛ˚.

SONG

EXTRA

TRACK

METRO-

TRACKS

REPEAT

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

STYLE

SWING &

MARCH &

POP & ROCK

JAZZ

BALLROOM

WALTZ

BALLAD USERLATIN

DANCE

PART

TAP TEMPO

TRANSPOSE

TEMPO

RESET

MASTER VOLUME

STOP

MULTI PAD

FADE

IN/OUT

MIN MAX

STYLE CONTROL

MAIN

ENDING

SYNC.

ACMP

BREAK

INTRO

/ rit.

STOP

START

START/STOP

AUTO

OTS

STANDBY

FILL IN

LINK

STYLE (ëÚËÎ¸)

DIGITAL RECORDING (ñËÙÓ‚‡ﬂ

ëÓÁ‰‡ÌËÂ ÒÓÔÓ‚ÓÊ‰ÂÌËﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË

Á‡ÔËÒ¸)

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 28, 59)

Ç˚ÔÓÎÌÂÌËÂ Á‡ÔËÒË ‚˚ÒÚÛÔÎÂÌËﬂ

ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂÚÂ ÎÂ‚ÓÈ ÛÍÓÈ ‡ÍÍÓ‰, Ô‡ÚËﬂ

(ÒÚ. 92, 108)

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ

ùÚË ‚ÔÂ˜‡ÚÎﬂ˛˘ËÂ Ë ÔÓÒÚ˚Â ‚ ËÒÔÓÎ¸ÁÓ‚‡ÌËË

‡‚ÚÓÏ‡ÚË˜ÂÒÍË. Ç˚·ÂËÚÂ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

ÒÂ‰ÒÚ‚‡ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ Ë Á‡ÔËÒ˚‚‡Ú¸

Ì‡ÔËÏÂ, ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á, Î‡ÚËÌÓ‡ÏÂËÍ‡ÌÒÍÛ˛

Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â Á‡‚Â¯ÂÌÌ˚Â Ë ÔÓÎÌÓÒÚ¸˛

ÏÛÁ˚ÍÛ Ë Ú. Ô., Ë ÒËÌÚÂÁ‡ÚÓ PSR-2000/1000 Á‡ÏÂÌËÚ ‚‡Ï

ÓÍÂÒÚÓ‚‡ÌÌ˚Â ÍÓÏÔÓÁËˆËË, ÍÓÚÓ˚Â ÏÓÊÌÓ

ˆÂÎ˚È ÓÍÂÒÚ!

ÒÓı‡ÌËÚ¸ ‰Îﬂ ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚

‡Á‰ÂÎÂ Ô‡ÏﬂÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.

USER

BALANCE

ENTER

EXIT

PSR-2000/1000

TION

REATOR

CORDING

ITAL

ONSOLE

LEFT

VOICE EFFECT

HARMONY/

DSP

BACK NEXT

HOLD

SUSTAIN

ECHO

MONOTOUCH

VARIATION

VOICE

ORGAN &

DIO

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

MAIN

GUITAR

BASS

BRASS

WOODWIND

LAYER

LEFT

STRINGS CHOIR & PAD

SYNTH.

ORGAN FLUTES

UPPER OCTAVE

MUSIC

FINDER

RESET

MIC.

VH TYPE

MIC.

VOCAL

SELECT

SETTING

HARMONY

TALK

EFFECT

OVER

SIGNAL

ONE TOUCH SETTING

DIRECT

ACCESS

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

FREEZE MEMORY

DATA ENTRY

LCD (ÊË‰ÍÓÍËÒÚ‡ÎÎË˜ÂÒÍËÈ

MUSIC FINDER

VOICE (ÉÓÎÓÒ)

˝Í‡Ì)

èÓËÒÍ Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘Â„Ó ÒÚËÎﬂ

é„ÓÏÌ˚È ‚˚·Ó Â‡ÎËÒÚË˜Ì˚ı

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 33, 69)

ÅÓÎ¸¯ÓÈ ÊË‰ÍÓÍËÒÚ‡ÎÎË˜ÂÒÍËÈ ˝Í‡Ì

„ÓÎÓÒÓ‚ (ÒÚ. 25, 54)

(‚ÏÂÒÚÂ Ò ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔÍ‡ÏË Ì‡

ÖÒÎË ‚˚ ‚˚·‡ÎË ÔÂÒÌ˛ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ, ÌÓ

ëËÌÚÂÁ‡ÚÓ PSR-2000/1000 ÒÓ‰ÂÊËÚ

ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔÂ˜Ë‚‡ÂÚ

ÌÂ ÁÌ‡ÂÚÂ, Í‡ÍÓÈ ÒÚËÎ¸ ËÎË „ÓÎÓÒ ÎÛ˜¯Â ‚ÒÂ„Ó

ˆÂÎ˚È ﬂ‰ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ Â‡ÎËÒÚË˜Ì˚ı Ë

ÛÌË‚ÂÒ‡Î¸ÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓÂ

ÔÓ‰ıÓ‰ﬂÚ ‰Îﬂ ÌÂÂ, ÒÂ‰ÒÚ‚Ó Music Finder

‰ËÌ‡ÏË˜Ì˚ı „ÓÎÓÒÓ‚, ‚ÍÎ˛˜‡ﬂ

ÛÔ‡‚ÎÂÌËÂ ‚ÒÂÏË ÓÔÂ‡ˆËﬂÏË,

ÔÓÏÓÊÂÚ ‚‡Ï. èÓÒÚÓ ‚˚‰ÂÎËÚÂ Ì‡Á‚‡ÌËÂ

ÙÓÚÂÔË‡ÌÓ, ÒÚÛÌÌ˚Â, ‰ÂÂ‚ﬂÌÌ˚Â

‚˚ÔÓÎÌﬂÂÏ˚ÏË Ì‡ ÒËÌÚÂÁ‡ÚÓÂ PSR-

ÔÂÒÌË, Ë ÒËÌÚÂÁ‡ÚÓ PSR-2000/1000

‰ÛıÓ‚˚Â ËÌÒÚÛÏÂÌÚ˚ Ë ÏÌÓ„ËÂ ‰Û„ËÂ!

2000/1000.

‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓ‰·ÂÂÚ Ì‡Ë·ÓÎÂÂ

ÔÓ‰ıÓ‰ﬂ˘ËÈ ÒÚËÎ¸ Ë „ÓÎÓÒ.

é„‡ÌÌ˚Â ÙÎÂÈÚ˚ (PSR-2000)

ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı Ó„‡ÌÌ˚ı

„ÓÎÓÒÓ‚ (ÒÚ. 91)

ùÚ‡ ÒÔÂˆË‡Î¸Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ

ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔÓÎÌ˚È Ì‡·Ó „ÎÛ·ÓÍËı Ë

˝ÙÙÂÍÚÌ˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚, ÍÓÏÂ ÚÓ„Ó,

ÓÌ‡ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â

Ó„‡ÌÌ˚Â „ÓÎÓÒ‡, Ú‡Í ÊÂ Í‡Í Ë Ì‡ Ó·˚˜ÌÓÏ

Ó„‡ÌÂ, Û‚ÂÎË˜Ë‚‡ﬂ ËÎË ÛÏÂÌ¸¯‡ﬂ ‰ÎËÌÛ

ÚÛ·, Ë ‰Ó·‡‚ÎﬂÚ¸ Á‚ÛÍË Û‰‡Ì˚ı

ËÌÒÚÛÏÂÌÚÓ‚.

ê‡Á˙ÂÏ TO HOST

Vocal Harmony (É‡ÏÓÌËÁ‡ˆËﬂ ‚ÓÍ‡Î‡) (PSR-2000)

ëÓÁ‰‡ÌËÂ ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛ÚÂ‡:

ÑÓ·‡‚ÎÂÌËÂ ·˝Í-‚ÓÍ‡Î‡ Í ‚‡¯ÂÏÛ ÔÂÌË˛ (ÒÚ. 128)

ÎÂ„ÍÓ Ë ·˚ÒÚÓ (ÒÚ. 154)

èÓÚﬂÒ‡˛˘ÂÂ ÒÂ‰ÒÚ‚Ó „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ (‰ÓÒÚÛÔÌÓ ÚÓÎ¸ÍÓ Ì‡

èÓ„ÛÁËÚÂÒ¸ ‚ ÌÂÓ·˙ﬂÚÌ˚È ÏË ÍÓÏÔ¸˛ÚÂÌÓÈ ÏÛÁ˚ÍË

PSR-2000) ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓÁ‰‡ÂÚ Ô‡ÚËË ·˝Í-‚ÓÍ‡Î‡ ‰Îﬂ ‚Â‰Û˘ÂÈ

Ë ËÒÔÓÎ¸ÁÛÈÚÂ Â„Ó ÔÂËÏÛ˘ÂÒÚ‚‡. àÒÍÎ˛˜ËÚÂÎ¸ÌÓ

‚ÓÍ‡Î¸ÌÓÈ Ô‡ÚËË, ÍÓÚÓ‡ﬂ ËÒÔÓÎÌﬂÂÚÒﬂ ˜ÂÂÁ ÏËÍÓÙÓÌ. èË

ÔÓÒÚÓÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Ë Ì‡ÒÚÓÈÍ‡, ‚ÓÁÏÓÊÌÓÒÚ¸

„‡ÏÓÌËÁ‡ˆËË „ÓÎÓÒÓ‚ ËÏÂÂÚÒﬂ ‚ÓÁÏÓÊÌÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ÔÓÎ‡

‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Á‡ÔËÒ‡ÌÌ˚ı Ì‡ ÍÓÏÔ¸˛ÚÂÂ ˜‡ÒÚÂÈ ‚

ËÒÔÓÎÌËÚÂÎﬂ, ÏÓÊÌÓ ‰Ó·‡‚ÎﬂÚ¸ ÊÂÌÒÍÛ˛ Ô‡ÚË˛ ·˝Í-‚ÓÍ‡Î‡ Í

‡ÁÎË˜ÌÓÈ ÓÍÂÒÚÓ‚ÍÂ Ò ÔÓÏÓ˘¸˛ ÒËÌÚÂÁ‡ÚÓ‡

ÓÒÌÓ‚ÌÓÏÛ ÏÛÊÒÍÓÏÛ „ÓÎÓÒÛ (Ë Ì‡Ó·ÓÓÚ).

PSR-2000/1000!

LCD

TO HOST

Mac

PC2PC1

MIDI

CONTRAST

HOST SELECT

MIDI

OUT

FOOT PEDAL

MIC. LINEIN

VOLUME

INPUT

LINE IN

MIC./

(LEVEL FIXED)

AUX OUT

LR R L/L+R

OUTPUT

DC IN 16V

èÓ‰ÍÎ˛˜ÂÌËÂ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËﬂ

ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ

ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000

èÓÒÎÂ ‚˚ÔÓÎÌÂÌËﬂ ‚ÒÂı ÌÂÓ·ıÓ‰ËÏ˚ı ÔÓ‰ÍÎ˛˜ÂÌËÈ (ÒÚ. 152)

STANDBY/ON ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ STANDBY (‚˚ÍÎ.).

ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000 Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ÒÂ

Â„ÛÎﬂÚÓ˚ „ÓÏÍÓÒÚË ÛÒÚ‡ÌÓ‚ÎÂÌ˚ Ì‡ ÌÛÎÂ‚Û˛ ÓÚÏÂÚÍÛ. á‡ÚÂÏ

‚ÍÎ˛˜ËÚÂ ‚ÒÂ ÛÒÚÓÈÒÚ‚‡, ‚ıÓ‰ﬂ˘ËÂ ‚ ÍÓÏÔÎÂÍÚ, ‚ ÒÎÂ‰Û˛˘ÂÏ

èÓ‰ÍÎ˛˜ËÚÂ Í‡·ÂÎ¸ ÒËÌÚÂÁ‡ÚÓ‡ Í ‡‰‡ÔÚÂÛ ÔÂÂÏÂÌÌÓ„Ó

ÔÓﬂ‰ÍÂ: ÒÌ‡˜‡Î‡ ÛÒÚÓÈÒÚ‚‡, ÔÂÂ‰‡˛˘ËÂ MIDI-ÒÓÓ·˘ÂÌËÂ

ÚÓÍ‡ PA-300.

(ÔÂÂ‰‡Ú˜ËÍË), Á‡ÚÂÏ ÛÒÚÓÈÒÚ‚‡, ÔÓÎÛ˜‡˛˘ËÂ MIDI-ÒÓÓ·˘ÂÌËﬂ

(ÔËÂÏÌËÍË) Ë ‚ ÔÓÒÎÂ‰Ì˛˛ Ó˜ÂÂ‰¸ Á‚ÛÍÓ‚Û˛ ‡ÔÔ‡‡ÚÛÛ (ÏËÍ¯Â˚,

ÛÒËÎËÚÂÎË, ÍÓÎÓÌÍË Ë Ú. Ô.). ùÚÓ ÔÓÁ‚ÓÎËÚ ·ÓÎÂÂ ˜ÂÚÍÓ ‚˚ÔÓÎÌﬂÚ¸

ÓÔÂ‡ˆËË ÔÓ ÔÂÂ‰‡˜Â MIDI-ÒÒÓ·˘ÂÌËÈ Ë ÔÂ‰ÓÚ‚‡ÚËÚ¸

ÔÓ‚ÂÊ‰ÂÌËÂ ÍÓÎÓÌÓÍ.

èË ‚˚ÍÎ˛˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ ÒÌ‡˜‡Î‡ ÓÚÍÎ˛˜ËÚÂ Á‚ÛÍ Ì‡ ‚ÒÂı

Á‚ÛÍÓ‚˚ı ÛÒÚÓÈÒÚ‚‡ı, Á‡ÚÂÏ ‚˚ÍÎ˛˜ËÚÂ ÛÒÚÓÈÒÚ‚‡ ‚ Ó·‡ÚÌÓÏ

ÇÒÚ‡‚¸ÚÂ ‡Á˙ÂÏ ÔÓÒÚÓﬂÌÌÓ„Ó ÚÓÍ‡ ‡‰‡ÔÚÂ‡ PA-300 ‚

ÔÓﬂ‰ÍÂ (ÒÌ‡˜‡Î‡ Á‚ÛÍÓ‚˚Â ÛÒÚÓÈÒÚ‚‡, Á‡ÚÂÏ MIDI).

„ÌÂÁ‰Ó DC IN ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000, ‡ÒÔÓÎÓÊÂÌÌÓÂ

Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.

R L/L+R

)

OUTPUT

DC IN 16V

DC IN

èÓ‰ÍÎ˛˜ÂÌËÂ Í

˝ÎÂÍÚË˜ÂÒÍÓÈ ÓÁÂÚÍÂ

ÇÒÚ‡‚¸ÚÂ ‰Û„ÓÈ ÍÓÌÂˆ Í‡·ÂÎﬂ ÒËÌÚÂÁ‡ÚÓ‡ (Ó·˚˜ÌÛ˛

¯ÚÂÔÒÂÎ¸ÌÛ˛ ‚ËÎÍÛ) ‚ ·ÎËÊ‡È¯Û˛ ˝ÎÂÍÚË˜ÂÒÍÛ˛

ÓÁÂÚÍÛ.

éëíéêéÜçé

çÂ Ô˚Ú‡ÈÚÂÒ¸ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Û„ÓÈ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡, ÍÓÏÂ

Yamaha PA-300 ËÎË ‡‚ÌÓˆÂÌÌÓ„Ó, ÂÍÓÏÂÌ‰Ó‚‡ÌÌÓ„Ó Í ÔËÏÂÌÂÌË˛

ÍÓÔÓ‡ˆËÂÈ Yamaha. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÌÂÒÓ‚ÏÂÒÚËÏÓ„Ó ‡‰‡ÔÚÂ‡ ÏÓÊÂÚ

ÔË‚ÂÒÚË Í ÌÂËÒÔ‡‚ËÏ˚Ï ÔÓ‚ÂÊ‰ÂÌËﬂÏ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000 Ë

ÒÓÁ‰‡Ú¸ Û„ÓÁÛ ÔÓ‡ÊÂÌËﬂ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ! ÇëÖÉÑÄ éíäãûóÄâíÖ

ÄÑÄèíÖê èÖêÖåÖççéÉé íéäÄ éí ëÖíà èàíÄçàü, äéÉÑÄ ëàçíÖáÄíéê

PSR-2000/1000 çÖ àëèéãúáìÖíëü.

ÇçàåÄçàÖ

çËÍÓ„‰‡ ÌÂ ÓÚÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ (ÚÓ ÂÒÚ¸ ÌÂ ÓÚÍÎ˛˜‡ÈÚÂ ‡‰‡ÔÚÂ

ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡ ÓÚ ÒÂÚË) ÔË ‚˚ÔÓÎÌÂÌËË Á‡ÔËÒË Ì‡ ÒËÌÚÂÁ‡ÚÓÂ PSR-

2000/1000! ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ‰‡ÌÌ˚ı.

ÇçàåÄçàÖ

Ñ‡ÊÂ ‚ ÚÂı ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ÔËÚ‡ÌËﬂ Ì‡ıÓ‰ËÚÒﬂ ‚ ÔÓÎÓÊÂÌËË

STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎÊ‡ÂÚ ‚ ÏËÌËÏ‡Î¸Ì˚ı ÍÓÎË˜ÂÒÚ‚‡ı

ÔÓÚÂ·ÎﬂÚ¸ ˝ÎÂÍÚÓ˝ÌÂ„Ë˛. ÖÒÎË ÒËÌÚÂÁ‡ÚÓ PSR-2000/1000 ÌÂ

ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó

ÚÓÍ‡ ÓÚÍÎ˛˜ÂÌ ÓÚ ÓÁÂÚÍË.

PSR-2000/1000

‚e‰Û˘ee ÛÒÚÓÈÒÚ‚Ó

(ÛÒÚÓÈÒÚ‚Ó, Ôee‰‡˛˘ee MIDI-ÒÓÓ·˘eÌËﬂ)

ÇäãûóÖçàÖ

èàTÄçàü!!

PSR-2000/1000 ‚ Í‡˜eÒÚ‚e ‚e‰ÓÏÓ„Ó ÛÒÚÓÈÒÚ‚‡

(ÛÒÚÓÈÒÚ‚Ó, ÔËÌËÏ‡˛˘ee MIDI-ÒÓÓ·˘eÌËﬂ)

12345678910111213141516LR

á‚ÛÍÓ‚‡ﬂ ‡ÔÔ‡‡ÚÛ‡

(ÒÌ‡˜‡Î‡ ÒË„Ì‡Î ÔÓ‰‡eÚÒﬂ Ì‡ ÏËÍ¯e, ‡ Á‡ÚeÏ — Ì‡ ÛÒËÎËÚeÎ¸)

ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ

ÇçàåÄçàÖ

ÇÓ ËÁ·ÂÊ‡ÌËÂ ‚ÓÁÏÓÊÌ˚ı ÔÓ‚ÂÊ‰ÂÌËÈ ÍÓÎÓÌÓÍ Ë ‰Û„Ó„Ó ˝ÎÂÍÚÓÌÌÓ„Ó

Ó·ÓÛ‰Ó‚‡ÌËﬂ ‚ÒÂ„‰‡ ÒÌ‡˜‡Î‡ ‚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÒËÌÚÂÁ‡ÚÓ‡ 2000/1000, ‡

Á‡ÚÂÏ — ÍÓÎÓÌÓÍ Ò ÛÒËÎËÚÂÎÂÏ ËÎË ÏËÍ¯ÂÓ‚ Ë ÛÒËÎËÚÂÎÂÈ. í‡ÍÊÂ ÒÎÂ‰ÛÂÚ

‚ÒÂ„‰‡ ‚˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ ÒËÌÚÂÁ‡ÚÓ‡ 2000/1000 ÔÓÒÎÂ ‚˚ÍÎ˛˜ÂÌËﬂ ÍÓÎÓÌÓÍ

Ò ÛÒËÎËÚÂÎÂÏ ËÎË ÏËÍ¯Â‡ Ë ÛÒËÎËÚÂÎﬂ.

ÇçàåÄçàÖ

Ñ‡ÊÂ ‚ ÚÂı ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ÔËÚ‡ÌËﬂ Ì‡ıÓ‰ËÚÒﬂ ‚ ÔÓÎÓÊÂÌËË

«STANDBY», ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎÊ‡ÂÚ ‚ ÏËÌËÏ‡Î¸Ì˚ı ÍÓÎË˜ÂÒÚ‚‡ı

ÔÓÚÂ·ÎﬂÚ¸ ˝ÎÂÍÚÓ˝ÌÂ„Ë˛. ÖÒÎË ÒËÌÚÂÁ‡ÚÓ PSR-2000/1000 ÌÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ

‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡ ÓÚÍÎ˛˜ÂÌ ÓÚ

ÓÁÂÚÍË.

èÂÊ‰Â ˜ÂÏ ‚ÍÎ˛˜‡Ú¸ ËÎË ‚˚ÍÎ˛˜‡Ú¸ ÒËÌÚÂÁ‡ÚÓ 2000/1000, ÌÂÓ·ıÓ‰ËÏÓ

àÏÂÌÌ‡ﬂ ÔÎ‡ÒÚËÌ‡

ÒÌ‡˜‡Î‡ Û·‡Ú¸ Á‚ÛÍ Ì‡ ÔÓ‰ÍÎ˛˜ÂÌÌÓÈ Í ÌÂÏÛ Á‚ÛÍÓ‚ÓÈ ‡ÔÔ‡‡ÚÛÂ.

É‡‚ËÓ‚Í‡ Ì‡ ËÏÂÌÌÓÈ ÔÎ‡ÒÚËÌÂ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000/1000

ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËﬂ Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ËÏ ÒÚ‡Ì‰‡Ú‡ı/ÙÓÏ‡Ú‡ı Ë Ó·

ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚﬂı ËÌÒÚÛÏÂÌÚ‡.

1 ç‡ÊÏËÚÂ ‚˚ÍÎ˛˜‡ÚÂÎ¸ [STANDBY/ON].

ëÚ‡Ì‰‡Ú GM System Level 1

→ ç‡ ˝Í‡ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ ÉÎ‡‚Ì˚È ˝Í‡Ì.

ëÚ‡Ì‰‡Ú GM System Level 1 ﬂ‚ÎﬂÂÚÒﬂ ‰ÓÔÓÎÌÂÌËÂÏ Í ÒÚ‡Ì‰‡ÚÛ MIDI,

„‡‡ÌÚËÛ˛˘ËÏ, ˜ÚÓ Î˛·˚Â ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ˝ÚÓÏÛ

ÒÚ‡Ì‰‡ÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚Â‰ÂÌ˚ Ì‡ Î˛·ÓÏ ÒÓ‚ÏÂÒÚËÏÓÏ ÒÓ

ÒÚ‡Ì‰‡ÚÓÏ GM ÚÓÌ-„ÂÌÂ‡ÚÓÂ Ë Ì‡ ÒËÌÚÂÁ‡ÚÓÂ Î˛·Ó„Ó

ÔÓËÁ‚Ó‰ÒÚ‚‡.

îÓÏ‡Ú XG

XG — ˝ÚÓ ÌÓ‚‡ﬂ ÒÔÂˆËÙËÍ‡ˆËﬂ MIDI ÍÓÔÓ‡ˆËË Yamaha,

ÁÌ‡˜ËÚÂÎ¸ÌÓ ‡Ò¯Ëﬂ˛˘‡ﬂ Ë ÛÎÛ˜¯‡˛˘‡ﬂ ÒÚ‡Ì‰‡Ú GM System Level

1 Á‡ Ò˜ÂÚ Û‚ÂÎË˜ÂÌËﬂ ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËﬂ „ÓÎÓÒ‡ÏË,

‚˚‡ÁËÚÂÎ¸Ì˚ÏË ÒÂ‰ÒÚ‚‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ

STANDBY

Ó·ÂÒÔÂ˜Ë‚‡˛˘‡ﬂ ÔÓÎÌÛ˛ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÒÓ ÒÚ‡Ì‰‡ÚÓÏ GM.

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÒËÌÚÂÁ‡ÚÓÓÏ PSR-2000/1000 „ÓÎÓÒÓ‚ XG ÔÓÁ‚ÓÎﬂÂÚ

Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔÂÒÂÌ ‚ ÙÓÏ‡ÚÂ XG.

îÓÏ‡Ú XG

îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha ﬂ‚ÎﬂÂÚÒﬂ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌËÂÏ

ÒÚ‡Ì‰‡Ú‡ SMF (Standard MIDI File) Á‡ Ò˜ÂÚ Û‚ÂÎË˜ÂÌËﬂ

ÙÛÌÍˆËÓÌ‡Î¸ÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚË ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËﬂ.

ëËÌÚÂÁ‡ÚÓ PSR-2000/1000 Ó·Î‡‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸˛ ‚˚‚Ó‰ËÚ¸ Ì‡

˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË Ù‡ÈÎ‡ ‚ ÙÓÏ‡ÚÂ XF,

ÒÓ‰ÂÊ‡˘Â„Ó ÚÂÍÒÚ. (îÓÏ‡Ú SMF ﬂ‚ÎﬂÂÚÒﬂ Ì‡Ë·ÓÎÂÂ

‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï ÙÓÏ‡ÚÓÏ Ù‡ÈÎÓ‚ MIDI. ëËÌÚÂÁ‡ÚÓ PSR-2000/

ÖÒÎË ‚˚ ÔÓ‰„ÓÚÓ‚ËÎËÒ¸ Í ‚˚ÍÎ˛˜ÂÌË˛ ÔËÚ‡ÌËﬂ, ÒÌÓ‚‡

1000 ÒÓ‚ÏÂÒÚËÏ Ò ÙÓÏ‡Ú‡ÏË SMF 0 Ë 1, ÔË Á‡ÔËÒË «ÔÂÒÂÌÌ˚ı»

‰‡ÌÌ˚ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÓÏ‡Ú SMF Format 0.)

Ì‡ÊÏËÚÂ ‚˚ÍÎ˛˜‡ÚÂÎ¸ [STANDBY/ON].

→ ùÍ‡Ì Ë ËÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡ (ÒÎÂ‚‡ ‚ÌËÁÛ) ÔÓ„‡ÒÌÛÚ.

É‡ÏÓÌËÁ‡ˆËﬂ ‚ÓÍ‡Î‡ (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË PSR-2000)

ÇÓ ‚ÂÏﬂ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ ÔËÏÂÌﬂÂÚÒﬂ ‚ÒÚÓÂÌÌ‡ﬂ ÚÂıÌÓÎÓ„Ëﬂ

ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Á‚ÛÍ‡ ‰Îﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó ‰Ó·‡‚ÎÂÌËﬂ

2 ç‡ÒÚÓÈÍ‡ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ „‡ÏÓÌËË Í ‚Â‰Û˘ÂÏÛ „ÓÎÓÒÛ ÔË ËÒÔÓÎÌÂÌËË

ÔÂÒÌË. É‡ÏÓÌËÁ‡ˆËﬂ ‚ÓÍ‡Î‡ ÔÓÁ‚ÓÎﬂÂÚ ËÁÏÂÌﬂÚ¸ ı‡‡ÍÚÂ Ë ÚÂÏ·

ÖÒÎË ËÁÓ·‡ÊÂÌËÂ Ì‡ ˝Í‡ÌÂ ÌÂ˜ÂÚÍÓÂ, Ì‡ÒÚÓÈÚÂ

‚Â‰Û˘Â„Ó „ÓÎÓÒ‡, ‡ Ú‡ÍÊÂ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚ı „ÓÎÓÒÓ‚ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ

ÍÓÌÚ‡ÒÚÌÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ Â„ÛÎﬂÚÓ‡ [LCD

‡ÁÌÓÓ·‡ÁÌ˚ı ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË.

CONTRAST] Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.

îÓÏ‡Ú Disk Orchestra Collection

îÓÏ‡Ú DOC ‰Îﬂ Á‡ÔËÒË „ÓÎÓÒÓ‚ Ó·ÂÒÔÂ˜Ë‚‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

3 êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË

‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ‡ÁÎË˜Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚

Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI.

ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË ÌÛÊÌÓ„Ó ÛÓ‚Ìﬂ

„ÓÏÍÓÒÚË ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ

Style File Format

ÛÔ‡‚ÎÂÌËﬂ [MASTER VOLUME].

îÓÏ‡Ú Style File Format (SFF) ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ ÓË„ËÌ‡Î¸Ì˚È

ÙÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚

ÍÓÚÓÓÏ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÛÌËÍ‡Î¸Ì‡ﬂ ÒËÒÚÂÏ‡ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ,

ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚È

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·ÓÎ¸¯Ó„Ó ÍÓÎË˜ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. Ç

ÒËÌÚÂÁ‡ÚÓÂ PSR-2000/1000 ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È

‚ Ô‡ÏﬂÚ¸, ÔË ˝ÚÓÏ Ò˜ËÚ˚‚‡˛ÚÒﬂ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ËÒÍË ÒÓ ÒÚËÎﬂÏË

SFF Ë ÒÓÁ‰‡˛ÚÒﬂ ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ ÒÂ‰ÒÚ‚‡ Style Creator

(ÒÓÁ‰‡ÚÂÎ¸ ÒÚËÎÂÈ).

PSR-2000/1000

BACK NEXT

MAIN

LAYER

LEFT

FINDER

MUSIC

è˛ÔËÚ

ëËÌÚÂÁ‡ÚÓ PSR-2000/1000 ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ‚ÏÂÒÚÂ Ò Ô˛ÔËÚÓÏ,

ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÍÂÔËÚ¸ Í ËÌÒÚÛÏÂÌÚÛ, ‚ÒÚ‡‚Ë‚ ‚ „ÌÂÁ‰Ó,

‡ÒÔÓÎÓÊÂÌÌÓÂ Á‡ Ô‡ÌÂÎ¸˛ ÛÔ‡‚ÎÂÌËﬂ.

LCD

CONTRAST

MASTER VOLUME

FADE

IN/OUT

MIN MAX

è‡ÌÂÎ¸Ì˚Â Â„ÛÎﬂÚÓ˚ Ë ‡Á˙ÂÏ˚

CONTRAST

LCD

TO HOST

Mac

PC2PC1

MIDI

OUTIN

HOST SELECT

MIDI

SONG

TRACKS

EXTRA

TRACK

REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

DIGITAL

STUDIO

SOUND CREATOR

NEW SONG SYNC. START

STYLE

DIGITAL RECORDING

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

MIXING CONSOLE

BALLAD USERLATIN

DANCE

PAR T

DEMO

TRANSPOSE

TEMPO

TAP TEMPO

HELP

RESET

MASTER VOLUME

STOP

FUNCTION

BALANCE

MULTI PAD

DIRECT

ACCESS

IN/OUT

FADE

MIN MAX

CHANNEL ON/OFF

STYLE CONTROL

PAR T

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

FILL IN

AUTO

OTS

STOP

START

SYNC.

START/STOP

STANDBY

LINK

PITCH BEND MODULATION

PHONES

CLICK

42 44

5554 56

58 61

èàíÄçàÖ

MASTER VOLUME

‚˚ÍÎ˛˜‡ÚÂÎ¸ [STANDBY/ON]……………………………………………………. ëÚ. 17

Â„ÛÎﬂÚÓ [MASTER VOLUME]……………………………………………………ëÚ. 17

ÍÌÓÔÍ‡ [FADE IN / OUT]………………………………………………………………ëÚ. 65

äéãÖëÄ

PITCH BEND…………………………………………………………………………….. ëÚ. 58

MULTI PAD

MODULATION (ÚÓÎ¸ÍÓ Û PSR-2000) …………………………………………… ëÚ. 58

ÍÌÓÔÍË [1] — [4] ……………………………………………………………………………ëÚ. 73

ÍÌÓÔÍ‡ [STOP]……………………………………………………………………………ëÚ. 73

çÄìòçàäà

‡Á˙ÂÏ [PHONES]…………………………………………………………………… ëÚ. 152

STYLE CONTROL

ÍÌÓÔÍ‡ [ACMP]…………………………………………………………………………..ëÚ. 60

åÖíêéçéå

ÍÌÓÔÍ‡ [BREAK] …………………………………………………………………………ëÚ. 64

ÍÌÓÔÍ‡ [METRONOME] ……………………………………………………………… ëÚ. 50

ÍÌÓÔÍ‡ [INTRO] …………………………………………………………………….ëÚ. 31, 66

ÍÌÓÔÍ‡ MAIN [A]…………………………………………………………………………ëÚ. 64

SONG

ÍÌÓÔÍ‡ MAIN [B]…………………………………………………………………………ëÚ. 64

ÍÌÓÔÍ‡ [EXTRA TRACKS (STYLE)] …………………………………………….. ëÚ. 79

ÍÌÓÔÍ‡ MAIN [C]…………………………………………………………………………ëÚ. 64

ÍÌÓÔÍ‡ [TRACK 2 (L)] ………………………………………………………………… ëÚ. 79

ÍÌÓÔÍ‡ MAIN [D]…………………………………………………………………………ëÚ. 64

ÍÌÓÔÍ‡ [TRACK 1 (R)]………………………………………………………………… ëÚ. 79

ÍÌÓÔÍ‡ [ENDING / rit.] ……………………………………………………………ëÚ. 31, 66

ÍÌÓÔÍ‡ [REPEAT] ……………………………………………………………………… ëÚ. 79

ÍÌÓÔÍ‡ [AUTO FILL IN]………………………………………………………………..ëÚ. 66

ÍÌÓÔÍ‡ [REC] ……………………………………………………………………………. ëÚ. 92

ÍÌÓÔÍ‡ [OTS LINK]……………………………………………………………………..ëÚ. 68

ÍÌÓÔÍ‡ [TOP] ……………………………………………………………………………. ëÚ. 78

ÍÌÓÔÍ‡ [SYNC.STOP]………………………………………………………………….ëÚ. 65

ÍÌÓÔÍ‡ [START / STOP] …………………………………………………………….. ëÚ. 76

ÍÌÓÔÍ‡ [SYNC.START]………………………………………………………………..ëÚ. 60

ÍÌÓÔÍ‡ [REW] …………………………………………………………………………… ëÚ. 78

ÍÌÓÔÍ‡ [START / STOP]………………………………………………………………ëÚ. 60

ÍÌÓÔÍ‡ [FF] ………………………………………………………………………………. ëÚ. 78

DIGITAL STUDIO

STYLE

ÍÌÓÔÍ‡ [SOUND CREATOR]………………………………………………………..ëÚ. 87

ÍÌÓÔÍË STYLE ………………………………………………………………………….. ëÚ. 59

ÍÌÓÔÍ‡ [DIGITAL RECORDING] ……………………………………………ëÚ. 92, 108

TRANSPOSE

ÍÌÓÔÍ‡ [MIXING CONSOLE]………………………………………………………ëÚ. 121

ÍÌÓÔÍË [E] [F] ………………………………………………………………… ëÚ. 141

TEMPO

ÍÌÓÔÍ‡ [DEMO]…………………………………………………………………………..ëÚ. 52

ÍÌÓÔÍË [E] [F] …………………………………………………………………. ëÚ. 50

ÍÌÓÔÍ‡ [HELP]……………………………………………………………………………ëÚ. 49

äÌÓÔÍ‡ [TAP TEMPO] ……………………………………………………………….. ëÚ. 51

ÍÌÓÔÍ‡ [FUNCTION]………………………………………………………………….ëÚ. 133

PSR-2000/1000

7574

7 8

9 10

10 11 12 13 14

1716

24 25

30 33

2 3

40 46 49

FOOT PEDAL

MIC. LINE

VOLUME

INPUT

LINE IN

MIC./

LR R L/L+R

(LEVEL FIXED)

AUX OUT

OUTPUT

DC IN 16V

HOLD

LEFT

VOICE EFFECT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

BACK NEXT

VARIATION

VOICE

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

MAIN

LAYER

GUITAR

BASS

BRASS

WOODWIND

LEFT

STRINGS CHOIR & PAD

SYNTH.

USER

ORGAN FLUTES

UPPER OCTAVE

MUSIC

FINDER

RESET

MIC.

SELECT

VH TYPE

SETTING

MIC.

HARMONY

VOCAL

TAL K

EFFECT

OVER

SIGNAL

ONE TOUCH SETTING

EXIT

ENTER

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

DISPLAY CONTROL

MIC.

ÍÌÓÔÍË [A] — [J] ………………………………………………………………………….. ëÚ. 40

ÍÌÓÔÍË MIC. (ÚÓÎ¸ÍÓ Û PSR-2000)………………………………………………ëÚ. 128

ÍÌÓÔÍ‡ [DIRECT ACCESS]…………………………………………………………. ëÚ. 47

MUSIC FINDER

ÍÌÓÔÍ‡ [BALANCE] ……………………………………………………………………. ëÚ. 61

ÍÌÓÔÍ‡ [MUSIC FINDER] …………………………………………………………….ëÚ. 69

ÍÌÓÔÍ‡ [CHANNEL ON / OFF] ……………………………………………….. ëÚ. 61, 78

ÍÌÓÔÍË [1▲▼] — [8▲▼] ………………………………………………………. ëÚ. 38 — 45

ONE TOUCH SETTING

ÍÌÓÔÍ‡ [BACK] …………………………………………………………………….. ëÚ. 40, 46

ÍÌÓÔÍË [1] — [4] ……………………………………………………………………………ëÚ. 67

ÍÌÓÔÍ‡ [NEXT] …………………………………………………………………….. ëÚ. 40, 46

ÍÌÓÔÍ‡ VOICE PART ON \/ OFF [MAIN] ………………………………………. ëÚ. 56

REGISTRATION MEMORY

ÍÌÓÔÍ‡ VOICE PART ON \/ OFF [LAYER]…………………………………….. ëÚ. 56

ÍÌÓÔÍ‡ [FREEZE] ……………………………………………………………………….ëÚ. 86

ÍÌÓÔÍ‡ VOICE PART ON / OFF [LEFT]………………………………………… ëÚ. 56

ÍÌÓÔÍË [1] — [8] ……………………………………………………………………………ëÚ. 84

ÍÌÓÔÍ‡ [ENTER]………………………………………………………………………… ëÚ. 46

ÍÌÓÔÍ‡ [MEMORY] ……………………………………………………………………..ëÚ. 84

‰ËÒÍ ÛÔ‡‚ÎÂÌËﬂ [DATA ENTRY] ……………………………………………….. ëÚ. 46

FLOPPY DISK

ÍÌÓÔÍ‡ [EXIT]……………………………………………………………………………. ëÚ. 40

Â„ÛÎﬂÚÓ [LCD CONTRAST] …………………………………………………….. ëÚ. 17

‰ËÒÍÓ‚Ó‰ (‰Îﬂ 3,5 ‰˛ÈÏÓ‚˚ı ‰ËÒÍÂÚ)……………………………………………ëÚ. 7

VOICE EFFECT

åËÍÓÙÓÌÌÓÂ „ÌÂÁ‰Ó Ë Â„ÛÎﬂÚÓ (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË

ÍÌÓÔÍ‡ [LEFT HOLD] …………………………………………………………………. ëÚ. 58

PSR-2000)

ÍÌÓÔÍ‡ [TOUCH] ……………………………………………………………………….. ëÚ. 57

Û˜Í‡ [INPUT VOLUME] ……………………………………………………………ëÚ. 152

ÍÌÓÔÍ‡ [SUSTAIN] …………………………………………………………………….. ëÚ. 57

‡Á˙ÂÏ [MIC. LINE IN] ……………………………………………………………..ëÚ. 152

ÍÌÓÔÍ‡ [HARMONY / ECHO] ………………………………………………………. ëÚ. 58

èÓÚ˚ Ë ÔÂÂÍÎ˛˜‡ÚÂÎË

ÍÌÓÔÍ‡ [MONO]…………………………………………………………………………. ëÚ. 58

ÔÓÚ [TO HOST] ……………………………………………………………………….ëÚ. 154

ÍÌÓÔÍ‡ [DSP] ……………………………………………………………………………. ëÚ. 57

ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [HOST SELECT]……………………………………………….ëÚ. 154

ÍÌÓÔÍ‡ [VARIATION] …………………………………………………………………. ëÚ. 58

ÔÓÚ˚ MIDI [OUT] [IN]……………………………………………………………….ëÚ. 153

VOICE

‡Á˙ÂÏ [FOOT PEDAL 1 \(SWITCH\) ] ………………………………………..ëÚ. 153

ÍÌÓÔÍË VOICE…………………………………………………………………………… ëÚ. 54

‡Á˙ÂÏ [FOOT PEDAL 2]…………………………………………………………..ëÚ. 153

‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ………………………………….ëÚ. 153

UPPER OCTAVE

‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R]………………………………………………….ëÚ. 153

ÍÌÓÔÍ‡ [UPPER OCTAVE]………………………………………………………….. ëÚ. 58

ÔÓÚ DC IN ………………………………………………………………………………ëÚ. 153

PSR-2000/1000

80 81

57 58

69 70

68 70

74 75

81 82

L M

9392 94

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó . . . . . . . . . . . . . . . . . . . . . . . . . . .

èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ

èÓ‰Ó·ÌÓÒÚË

Ì‡ ÒÚ. 52

ëËÌÚÂÁ‡ÚÓ PSR-2000/1000 ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı

ÍÌÓÔÍ‡ Demo

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ, ÍÓÚÓ˚Â ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îﬂ ÚÓ„Ó,

˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÓˆÂÌËÚ¸ ·Ó„‡ÚÒÚ‚Ó Ë Ì‡ÚÛ‡Î¸ÌÓÒÚ¸ Á‚Û˜‡ÌËﬂ

Â„Ó ÚÂÏ·Ó‚, ËÚÏÓ‚ Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ÅÓÎÂÂ ÚÓ„Ó, Ì‡ÏË ·˚Î ‡Á‡·ÓÚ‡Ì ﬂ‰ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı

ÙÛÌÍˆËÈ. ë Ëı ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚÂ Ì‡ Ô‡ÍÚËÍÂ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ

ÒÓ ‚ÒÂÏË ‚‡ÊÌÂÈ¯ËÏË ÙÛÌÍˆËﬂÏË ÒËÌÚÂÁ‡ÚÓ‡ Ë

Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ Ì‡Û˜ËÚ¸Òﬂ ˝ÙÙÂÍÚË‚ÌÓÏÛ ÔËÏÂÌÂÌË˛

PSR-2000/1000 ‚ ÔÓˆÂÒÒÂ ÒÓÁ‰‡ÌËﬂ ÏÛÁ˚ÍË.

1 ç‡Ê‡ÚËÂ ÍÌÓÔÍË [DEMO]

2 óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸

ÔË‚Ó‰ËÚ Í

ÍÌÓÔÍ‡ÏË [BACK]/[NEXT].

BACK NEXT

DEMO

‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÏÛ

‚ÓÒÔÓËÁ‚Â‰ÂÌË˛

HELP

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı

ÔÂÒÂÌ ‚ ÒÎÛ˜‡ÈÌÓÏ

FUNCTION

ÔÓﬂ‰ÍÂ.

ÑÂÏÓÌÒÚ‡ˆËË „ÓÎÓÒÓ‚

ËÎÎ˛ÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË

ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ „ÓÎÓÒÓ‚ PSR-

ëÂÈ˜‡Ò Ï˚ ‚˚·ÂÂÏ ‰Îﬂ ÔËÏÂ‡

2000/1000. ÑÂÏÓÌÒÚ‡ˆËË

‚ÍÎ‡‰ÍÛ FUNCTION. ÑÂÏÓÌÒÚ‡ˆËË

ÒÚËÎÂÈ ÔÓÁ‚ÓÎﬂ˛Ú ÔÓÎÛ˜ËÚ¸

ÙÛÌÍˆËÈ ËÎÎ˛ÒÚËÛ˛Ú

ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó ‰ÓÒÚÛÔÌ˚ı ‚

‚ÓÁÏÓÊÌÓÒÚË ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ

ÒËÌÚÂÁ‡ÚÓÂ PSR-2000/1000

PSR-2000/1000.

ËÚÏ‡ı Ë ÒÚËÎﬂı

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 52).

óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛, Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J] ËÎË ÍÌÓÔÍÛ [8▼] (AUTO) (ËÏÂÂÚÒﬂ ÚÓÎ¸ÍÓ Ì‡

ÒÚ‡ÌËˆÂ FUNCTION).

ç‡ÔËÏÂ, ‚ÓÁ¸ÏÂÏ ÍÌÓÔÍÛ [8▼] (AUTO).

ÇÒÂ ‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌÍˆËÈ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÔÓ Ó˜ÂÂ‰Ë.

MAIN

LAYER

LEFT

óÚÓ·˚ ‚˚ÈÚË ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËÏ‡ Ë ‚ÂÌÛÚ¸Òﬂ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ (MAIN) ÔÓ Á‡‚Â¯ÂÌËË ‚ÒÂı ‰ÂÏÓÌÒÚ‡ˆËÈ, Ì‡ÊÏËÚÂ

ÍÌÓÔÍÛ [EXIT].

èÓÒÎÂ ÚÓ„Ó Í‡Í ‚˚ ÓÁÌ‡ÍÓÏËÚÂÒ¸ Ò ‰ÂÏÓÌÒÚ‡ˆËﬂÏË, ÒÚÓËÚ ‡ÁÓ·‡Ú¸Òﬂ Â˘Â Ò ‰‚ÛÏﬂ ÙÛÌÍˆËﬂÏË, ÍÓÚÓ˚Â ÔÓÏÓ„ÛÚ ‚‡Ï

ÎÛ˜¯Â ÛÁÌ‡Ú¸ PSR-2000/1000.

• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ (ÒÚ. 21)

• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÍÓÓÚÍÓ„Ó ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ‚˚·‡ÌÌÓ„Ó „ÓÎÓÒ‡

(Ì‡ ˝Í‡ÌÂ Voice Open; ÒÚ. 26).

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

81 2 3 4 5 6 7

ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó

‰ÂÏÓÌÒÚ‡ˆËﬂı ÔË‚Â‰ÂÌ˚ Ì‡

ÒÚ. 52.

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË

èÓ‰Ó·ÌÓÒÚË

Ì‡ ÒÚ. 75

ÇÒÂ ‚ÓÁÏÓÊÌÓÒÚË ÔÓÚﬂÒ‡˛˘Ëı „ÓÎÓÒÓ‚, ˝ÙÙÂÍÚÓ‚, ËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰Û„Ëı ÒÎÓÊÌ˚ı ‡Î„ÓËÚÏÓ‚ PSR-2000/

1000 ÔÓﬂ‚Îﬂ˛ÚÒﬂ ‚ Ó‰ÌÓÏ — ‚ ÔÂÒÌÂ!

äÌÓÔÍË, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÔÂÒÌÂ.

äÌÓÔÍË BALANCE Ë

CHANNEL

ÑËÒÍÓ‚Ó‰

Ç PSR-2000/1000 ÔÓ‰‰ÂÊË‚‡ÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ ‚ ÛÍ‡Á‡ÌÌ˚ı ÌËÊÂ ÙÓÏ‡Ú‡ı. èÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ ÒÓ‰ÂÊ‡ÚÒﬂ

Ì‡ 75, 158 .

ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ ÒÚ‡Ì‰‡ÚÂ GM.

ÑËÒÍÂÚ˚ Ò ˝ÚÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ ÒÚ‡Ì‰‡ÚÂ XG. XG — ˝ÚÓ ‡Ò¯ËÂÌËÂ ÒÚ‡Ì‰‡Ú‡ GM,

ÔÓ‰‰ÂÊË‚‡˛˘ÂÂ ·ÓÎ¸¯ÂÂ ˜ËÒÎÓ „ÓÎÓÒÓ‚ Ë ÔÂ‰ÓÒÚ‡‚Îﬂ˛˘ÂÂ ÏÛÁ˚Í‡ÌÚÛ ·ÓÎÂÂ ÔÓÎÌ˚È ÍÓÌÚÓÎ¸ Á‡ Ô‡‡ÏÂÚ‡ÏË Á‚ÛÍ‡.

ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÏÔ‡ÌËÂÈ Yamaha ÒÚ‡Ì‰‡ÚÂ DOC.

ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ

1 ÖÒÎË ÚÂ·ÛÂÚÒﬂ ÔÓË„‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒÍÂÚ˚, ‚ÒÚ‡‚¸ÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.

ÇÌËÏ‡ÌËÂ!

• èÂÊ‰Â ‚ÒÂ„Ó ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò

‡Á‰ÂÎÓÏ «àÒÔÓÎ¸ÁÓ‚‡ÌËÂ

‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 7).

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

Аннотации для Синтезатора/фортепиано Yamaha PSR-2000 в формате PDF

Топ 10 инструкций

Другие инструкции

Источник

Страница 1

OWNER’S MANUAL OWNER’S MANUAL[…]
Страница 2

Introduction SPECIAL MESSA GE SECTION This product utilizes batteries or an external power supply (adapter). DO NO T connect this product to any power sup- ply or adapter other than one descr ibed in the manual, on the name plate, or speciﬁcally recommended by Y amaha. W ARNING: Do not place this product in a position where any one could walk on,[…]
Страница 3

3 PSR-2000/1000 (3)-7 1/2 PRECA UTIONS PLEASE READ CAREFULL Y BEFORE PR OCEEDING * Please keep this man ual in a safe place f or future reference . W ARNING Alwa ys follo w the basic precautions listed below to a v oid the possibility of serious injury or even death fr om electrical shock, shor t-circuiting, damages, ﬁre or other hazar ds. These […]
Страница 4

PSR-2000/1000 4 (3)-7 2/2 • Before connecting the instrument to other electronic compo- nents, turn off the power for all components. Before turning the power on or off f or all components, set all volume lev els to mini- mum. Also, be sure to set the volumes of all components at their minimum le vels and gradually raise the volume controls while[…]
Страница 5

5 PSR-2000/1000 T hank you for pur chasing the Y amaha PSR-2000/1000! W e recommend that you read this manual carefully so that y ou can fully take adv antage of the ad vanced and conv enient functions of the PSR-2000/1000. W e also recommend that you keep this manual in a safe and hand y place for future reference.[…]
Страница 6

PSR-2000/1000 6 Accessories ■ P A-300 AC Adaptor * ■ Floppy Disk [includes accompaniment style ﬁles (pages 28 and 59), and MIDI Driver (page 154)] ■ Music Stand (page 17) ■ Data List ■ Owner’ s Manual * Ma y not be included in your area. Please chec k with your Y amaha dealer . About this Owner’ s Manual and Data List T his manual c[…]
Страница 7

7 PSR-2000/1000 Handling the Floppy Disk Drive (FDD) and Floppy Disk Be sure to handle ﬂoppy disks and treat the disk dri ve with care. F ollow the important precautions below . • 3.5″ 2DD and 2HD type ﬂopp y disks can be used. T o insert a ﬂoppy disk into the disk drive: • Hold the disk so that the label of the disk is facing upward[…]
Страница 8

PSR-2000/1000 8 T o handle ﬂoppy disks with care: • Do not place hea vy objects on a disk or bend or apply pressure to the disk in any w ay . Alw ays keep ﬂopp y disks in their protectiv e cases when they are not in use. • Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessi ve humidity , dust or liquids[…]
Страница 9

9 PSR-2000/1000 T able of Contents Introduction ………………………. 2 PRECAUTIONS …………………………………………………. 3 Accessories ……………………………………………………… 6 About this Owner’s Manual and Data List ………….. 6 Handling the Floppy Disk Drive (FDD) and Floppy Disk ……..[…]
Страница 10

PSR-2000/1000 10 Repeat Playback of a Specific Range ………………… 79 Displaying Music Notation — Score (PSR-2000 only) ……………………………… 80 Displaying the Lyrics ………………………………………. 83 Saving and Recalling Custom Panel Setups — Registration Memory …….. 84 Registering Panel Setups — Re[…]
Страница 11

11 PSR-2000/1000 Introduction Quick Guide Basic Operations — Organizing Y our Data Playing the Demos V oices Styles The Multi Pad Creating Multi Pad — Multi Pad Creator Song Playback Saving and Recalling Custom Panel Setups — Registration Memory Editing V oices — Sound Creator Recording Y our Per formances and Creating Songs — Song Creator Creating[…]
Страница 12

PSR-2000/1000 12 Application Index Use this index to ﬁnd r eference pages that may be helpful for your particular application and situation. Listening Listening to the internal songs …………………………………………………………………………………………………. page 76 Listening to disk songs ………………..[…]
Страница 13

13 PSR-2000/1000 Application Index Using a micr ophone (PSR-2000 only) Connecting the microphone………….. ”Connecting the Microphone or Guitar (MIC./LINE IN jack)” on page 152 Adding automatic harmonies to your singing …………………………………………………………………………… page 129 Settings Registering P an[…]
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PSR-2000/1000 14 BALANCE FUNCTION HELP MENU DEMO SOUND CREA TOR DIGIT AL RECORDING MIXING CONSOLE DIGIT AL STUDIO DIRECT ACCESS PA RT CHANNEL ON/OFF D A E B C 8 1 2 3 4 5 6 7 TRANSPOSE ACM P ST ANDBY ON INTRO ST ART/STOP MAIN ENDING / rit. AUTO FILL IN OTS LINK SYNC. STOP SYNC. ST ART BREAK BALLAD USER LA TIN POP & ROCK REC REW FF ST ART/STOP T[…]
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15 PSR-2000/1000 USER ENTER EXIT FREEZE MEMORY DA T A ENTRY ORGAN FLUTES STRINGS CHOIR & P AD GUIT AR MAIN BA CK NEXT LEFT MUSIC FINDER LA YER I F J G H BASS PIANO & HARPSI. E.PIANO XG UPPER OCT AVE WOODWIND PERCUSSION V ARIATION MONO TOUCH SUST AIN DSP HARMONY/ ECHO LEFT HOLD SYNTH. BRASS ORGAN & ACCORDION V OICE EFFECT V OICE ONE TOUC[…]
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PSR-2000/1000 16 Setting Up the PSR-2000/1000 1 Make sure that the PSR-2000/1000’ s ST ANDBY/ON switc h is at the ST ANDBY (off) position. 2 Connect one end of the AC cable to the P A-300. 3 Connect the P A-300’ s DC plug to the PSR-2000/ 1000’ s DC IN terminal on the instrument’ s rear panel. 4 Connect the other end (normal AC plug) to the[…]
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17 PSR-2000/1000 CA UTION In order to av oid possible damage to the speakers or other connected electronic equipment, alwa ys switch on the pow er of the 2000/1000 before s witching on the power of the ampli ﬁ ed speak ers or mixer and ampli ﬁ er . Likewise ,always s witch off the power of the 2000/1000 after switching off the po wer of the amp[…]
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PSR-2000/1000 18 Panel Controls and T er minals PO WER [ST ANDBY/ON] s witch ………………………………………………… P . 17 WHEEL PITCH BEND …………………………………………………………….. P . 58 MODULA TION (PSR-2000 only) …………………………………… P . 58 PHONES [PHONES] jack…………..[…]
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19 PSR-2000/1000 DISPLA Y CONTR OL [A] — [J] buttons …………………………………………………………… P . 40 [DIRECT ACCESS] b utton …………………………………………… P . 47 [BALANCE] button ……………………………………………………… P . 61 [CHANNEL ON / OFF] button …………………..[…]
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Quick Guide 20 Quick Guide . . . . . . . . . . . . . . . . . . . . . . . . . Playing the Demos T he PSR-2000/1000 features an extensive v ariety of Demo songs, that showcase its ric h, authentic voices and its dynamic rh ythms and styles. What’ s more, there’ s a special selection of Demo functions. T hese take you through a hands-on journey of[…]
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Song Playback Quick Guide 21 Song Playback Here’ s w here all of the amazing voices, effects, rh ythms, styles and other sophisticated features of the PSR-2000/1000 come together — in songs! T he following songs are compatible for pla yback on the PSR-2000/1000. Refer to pages 75, 158 for more details on the logos. Playback of Songs 1 If you w […]
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Song Playback Quick Guide 22 2 Press the [A] button to call up the Song Open displa y . If the MAIN screen is not displa yed, press the [DIRECT ACCESS] button followed b y the [EXIT] button. 3 Press the [A] — [C] button to select the V oice/Style/Function folder . D A E B C Press the [BA CK] / [NEXT] button to select the drive . In the example disp[…]
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Song Playback Quick Guide 23 4 Press one of the [A] to [J] buttons to select the song ﬁle. 5 Press the SONG [ST ART/ST OP] button to start playbac k. 6 While the song is pla ying, try using the Mute function to turn certain instrument channels off or on — letting you cr aft dynamic arrangements on the ﬂy! 1) Press the [CHANNEL ON/OFF] button.[…]
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Song Playback Quick Guide 24 7 Finally , take the pr oducer’ s seat and try y our hand at mixing. T hese Balance controls let you adjust the le vels of the individual parts — the song, the style, y our singing (PSR-2000 only), and your pla ying. 1) Press the [BALANCE] button. 2) Press the [1 — 8 ▲▼ ] button corresponding to the part of whic[…]
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Playing Voices Quick Guide 25 Playing V oices T he PSR-2000/1000 features a stunning variety of o ver 700 dynamic, ric h and realistic voices. T ry pla ying some of these voices now and hear w hat they can do for your music. Here, you’ll learn how to select individual v oices, combine two voices in a la yer , and split two v oices between your le[…]
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Playing Voices Quick Guide 26 3 Select a voice. 4 Pla y the voices. Naturally , you can pla y the voice yourself from the keyboard, but y ou can also ha ve the PSR-2000/1000 demonstrate the voice for y ou. Simply press the [8 ▲ ] button from the displa y above, and a Demo of the voice pla ys automatically . Playing T wo V oices Simultaneously 1 P[…]
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Playing Voices Quick Guide 27 Playing Different V oices with the Left and Right Hands 1 Press the VOICE P ART ON/OFF [LEFT] button to turn the LEFT part on. 2 Press the [H] button to select the LEFT part. 3 Select a voice gr oup. Here, we’ll select the “STRINGS” group — so that you can pla y rich, or chestral c hords with your left hand. 4 […]
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Playing Styles Quick Guide 28 Playing Styles T he PSR-2000/1000 has a huge variety of musical “styles” that y ou can call upon to back up your own performance. T hey give you an ything from a simple, yet effecti ve piano backing or percussion accompaniment to a full band or orc hestra. Playing a style 1 Select a style group and a style. 2 T urn[…]
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Playing Styles Quick Guide 29 3 T urn SYNC.ST ART on. 4 As soon as you pla y a chord with y our left hand, the style starts. F or this example, play a C major c hord (as shown below). 5 Change the tempo b y using the TEMPO[ ] [ ] buttons if necessar y . Simultaneously press the TEMPO [ ] [ ] buttons to return the tempo to its original setting. Pres[…]
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Playing Styles Quick Guide 30 Style Sections Each style in the auto accompaniment is made up of “sections. ” Since each section is a rh ythmic variation of the basic style, you can use them to add spice to y our performance and mix up the beats — while you’ re pla ying. Intros, Endings, Main patterns, and Breaks — they’ re all here, giv[…]
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Playing Styles Quick Guide 31 ■ Accompaniment Structure Other Controls F ADE IN/OUT The [F ADE IN/OUT] button can be used to produce smooth fade-ins and f ade-outs (page 65)when star ting and stopping the style. T AP TEMPO The style can be star ted at any tempo y ou desire by “ tapping ” out the tempo with the [T AP/TEMPO] button. For details[…]
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Playing Styles Quick Guide 32 One T ouch Setting One T ouc h Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (voice number , etc.) for the currently selected style, with the touc h of a single button. This is a w onderful wa y to instantly reconﬁgure all the settings on the PSR-2000/100[…]
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Music Finder Quick Guide 33 Music Finder If you w ant to pla y in a certain song but don’t know whic h style and voice settings would be appr opriate, the convenient Music F inder can help you out. Simply select the song name fr om the Music Finder and the PSR-2000/ 1000 automatically makes all appr opriate panel settings to let you pla y in that[…]
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Music Finder Quick Guide 34 Sear ching the Music Finder Records T he Music Finder is also equipped with a conv enient search function that lets y ou enter a song title or keyword — and instantly call up all the records that match y our search criteria. 1 Pr ess the [MUSIC FINDER] button. 2 Press the [I] button to call up the MUSIC FINDER SEARCH 1[…]
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Music Finder Quick Guide 35 7 Select a recor d (see step #2 on page 33) and play along with the style pla yback. Press the [EXIT] button to return to the MAIN displa y . Y ou can also create your own Music F inder setups and sa ve them to ﬂoppy disk (pages 38 and 44). In this wa y , y ou can expand your Music Finder collection b y exchanging them[…]
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Playing with the Songs Quick Guide 36 Playing with the Songs Playing Along with the PSR-2000/1000 In this section, try using the PSR-2000/1000’ s song pla yback features to cancel or mute the right-hand melod y while you pla y the part yourself. It’ s like having a very talented and v ersatile playing partner accompan y you while y ou perform. […]
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Playing with the Songs Quick Guide 37 Recording T he PSR-2000/1000 lets you record, too — quic kly and easily . T ry out the Quick Recording feature now and capture your keyboard performance. 1 — 3 Select a voice for r ecording. Use the same oper ations as in “Playing a V oice” on pages 25, 26. 4 Press the [REC] and [T OP] buttons simultaneou[…]
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PSR-2000/1000 38 Basic Operations — Organizing Y our Data T he PSR-2000/1000 utilizes a variety of data types — including v oices, accompaniment styles, songs, multi pads and registration memory settings. Muc h of this data is already programmed and contained in the PSR-2000/1000; y ou can also create and edit your o wn data with some of the fu[…]
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Basic Operations — Organizing Your Data 39 PSR-2000/1000 Example — Open/Save display for V oice Each Open/Sa ve displa y consists of PRESET , USER, and FLOPPY DISK dri ve pages. BA CK NEXT The selected voice itself (un-edited) can also be sa ved as a ﬁ le in the USER or FLOPPY DISK drive. PRESET driv e T he ﬁles that are pre- programmed and[…]
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Basic Operations — Organizing Your Data PSR-2000/1000 40 Select a ﬁle shown in the displa y . In this example, we’ll select a voice ﬁle. First, press the VOICE [PIANO & HARPSI.] button to call up the display containing the ﬁles. T his display (“Open/Sa ve” display) is typical of those used to call up and store ﬁles (v oice ﬁle[…]
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Basic Operations — Organizing Your Data 41 PSR-2000/1000 Naming Files/Folders Y ou can assign names to ﬁles and folders. An y ﬁle/folder in the USER and FLOPPY DISK sections can be named or renamed. Execute the following steps w hen there is data in the User drive. If there are Preset ﬁles/folders y ou wish to rename, copy them beforehand ([…]
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Basic Operations — Organizing Your Data PSR-2000/1000 42 Moving Files/Folders Y ou can move ﬁles and folders as desired, for organizing your data. Any ﬁle/folder in the USER and FLOPPY DISK sections can be moved, using the cut-and-paste oper ation described below . E ND 1 Press the [2 ▼ ] (CUT) button. The CUT display appears . 2 Select the[…]
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Basic Operations — Organizing Your Data 43 PSR-2000/1000 Copying Files/Folders Y ou can also copy ﬁles and folders as desired, for organizing your data. Any ﬁle/folder in the PRESET , USER and FLOPPY DISK sections can be copied, using the copy-and-paste oper ation described below . Deleting Files/Folders Y ou can also delete ﬁles and folder[…]
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Basic Operations — Organizing Your Data PSR-2000/1000 44 Saving Files T his operation lets you sa ve your important data in ﬁles. Files can only be stored to the USER and FLOPPY DISK sections. Organizing Files by Creating a New Folder T his operation lets you easily organize y our various ﬁles into categories b y creating a new folder for eac[…]
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Basic Operations — Organizing Your Data 45 PSR-2000/1000 Entering Characters T he instructions that follow show y ou how to enter char acters in naming your ﬁles and folders. T he method is much the same as inputting names and numbers to your cell phone. 1 Mov e the cursor to the desired position b y using the [D A T A ENTRY] dial. 2 Press the […]
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Basic Operations — Organizing Your Data PSR-2000/1000 46 Changing the Icon Y ou can also change the icon that appears at the left of the ﬁle name. Call up the ICON SELECT displa y by pressing the [1 ▼ ] (ICON) button from the char acter input display (page 45). Select the desired icon b y using the [A] — [J] buttons, or b y using the [3 ▲?[…]
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Basic Operations — Organizing Your Data 47 PSR-2000/1000 With the con venient Direct Access function, you can instantly call up the desired display — with just a single additional button press. Press the [DIRECT A CCESS] button and a message appears in the display prompting y ou to press the appropriate button. T hen, simply press the button co[…]
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Basic Operations — Organizing Your Data PSR-2000/1000 48 Direct Access Chart Operation: [DIRECT ACCESS] button + button listed below Corresponding LCD display and function See pages SONG [TRACK1] FUNCTION SONG SETTING TRACK1 CHANNEL selection 137 [TRACK2] TRA CK2 CHANNEL selection 137 [EXTRA TRACKS] 137 [REPEA T] [METRONOME] UTILITY METRONOME set[…]
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Basic Operations — Organizing Your Data 49 PSR-2000/1000 T he Help messages give y ou explanations and descriptions of all the main functions and features of the PSR-2000/1000. Help Messages USER ENTER EXIT BALANCE FUNCTION HELP MENU DEMO SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE DIGITAL STUDIO DIRECT ACCESS PART CHANNEL ON/OFF FREEZE MEMORY[…]
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Basic Operations — Organizing Your Data PSR-2000/1000 50 T he metr onome provides a click sound, gi ving you an accurate tempo guide w hen you practice, or letting y ou hear and chec k how a speciﬁc tempo sounds. T he metronome starts b y pressing the [METRONOME] button. Adjust the tempo by using the TEMPO[ ] [ ] buttons (see below). T o stop t[…]
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Basic Operations — Organizing Your Data 51 PSR-2000/1000 T ap T empo T his useful feature lets you tap out the tempo for a song or an accompaniment style. Simply tap the [T AP TEMPO] button at the desired speed, and the tempo of the song or the accompaniment style changes to matc h your tapping. ■ T empo Indications — MAIN Display T here are […]
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PSR-2000/1000 52 Reference Playing the Demos T he PSR-2000/1000 is an extraordinarily versatile and sophisticated instrument, featuring a wide v ariety of dynamic voices and rh ythms, plus a wealth of adv anced functions. T hree different types of Demo songs hav e been specially prepared showcasing the stunning sound and features of the PSR-2000/10[…]
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Playing the Demos 53 PSR-2000/1000 EXIT E ND Return to the MAIN screen. I F J G H ENTER MAIN BA CK NEXT LEFT LA YER This example shows the Sound System in the FUNCTION demo. 3 F or the Function demos, an introduction screen appears in the display and the Demo starts pla ying. Select the desired word or item b y using the [D A T AENTRY] dial, then p[…]
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PSR-2000/1000 54 V oices T he PSR-2000/1000 gives y ou an enormous selection of authentic voices, including v arious keyboard instruments, strings and brass — and man y , many more. USER ENTER EXIT BALANCE FUNCTION HELP MENU DEMO SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE DIGITAL STUDIO DIRECT ACCESS PART CHANNEL ON/OFF FREEZE MEMORY DAT A EN[…]
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Voices 55 PSR-2000/1000 V oice Char acteristics T he voice type and its deﬁning c haracteristics are indicated above the v oice name. Liv e! (PSR-2000 only) T hese acoustic instrument sounds were sampled in stereo, to produce a truly authentic, rich sound — full of atmosphere and ambience. Cool! T hese voices capture the d ynamic textures and s[…]
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Voices PSR-2000/1000 56 T he PSR-2000/1000 lets you set three v oices for simultaneous play: MAIN, LA YER, and LEFT . By effectively combining these three, you can create ric hly textured, multi-instrument setups for your performance. Pla ying a lay er of two voices Pla ying two voices separ ately — on the left and right sections of the keyboar d[…]
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Voices 57 PSR-2000/1000 Left — Setting Separate V oices for the Left and Right Sections of the Keyboard T his section of the panel lets you add a v ariety of effects to the voices you pla y on the keyboard. ■ TOUCH T his button turns the touch response of the keyboard on or off. When this is set to off, the same volume is produced no matter how[…]
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Voices PSR-2000/1000 58 ■ VARIA TION T his control changes the V ariation effect settings, letting you alter some aspect of the effect, depending on the selected type. F or example, when the Rotary Speaker effect is selected (page 124), this lets y ou switch the rotor speed between slow and fast. ■ HARMONY/ECHO T his control adds Harmony or Ec […]
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59 PSR-2000/1000 Styles T he PSR-2000/1000 features styles (accompaniment patterns) in a variety of different musical genres including pops, jazz, Latin and dance. T o use it, all y ou hav e to do is play the chords with y our left hand as you perform and the selected Accompaniment Style (style) matching your music will automatically pla y along, i[…]
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Styles PSR-2000/1000 60 ACMP INTR O BREAK STYLE CONTROL ACMP INTR O ST ART/STOP MAIN ENDING / rit. AUT O FILL IN OTS LINK SYNC. STOP SYNC. ST ART BREAK STYLE CONTROL ACMP INTR O ST ART/STOP MAIN ENDING / rit. AUT O FILL IN OTS LINK SYNC. STOP SYNC. ST ART BREAK STYLE CONTROL Auto Accompaniment section Split point E ND When the [A CMP] button is set[…]
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Styles 61 PSR-2000/1000 Playing a Style ’ s Rhythm Channels only Adjusting the V olume Balance/Channel Muting ACMP INTR O ST ART/STOP MAIN ENDING / rit. AUT O FILL IN OTS LINK SYNC. STOP SYNC. ST ART BREAK STYLE CONTROL Rhythm starts. 1 Select a style (page 59). The Rhythm channels are par t of the styles. Each style has different rh ythm pat- te[…]
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Styles PSR-2000/1000 62 T he style playbac k can be controlled by the c hords you play in the keys to the left of the split point. T here are 7 types of ﬁngerings as described below . Go to the CHORD FINGERING page (page 139), and select the Chord F ingerings. T he page shows how to pla y chords with your left hand. SINGLE FINGER Single Finger ac[…]
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Styles 63 PSR-2000/1000 * Only this voicing (in version) is recognized. Other chords not marked with an asterisk can be played in an y inversion. Chord Name [Abbre viation] Normal V oicing Display f or root “ C ” Major [M] 1 — 3 — 5 C Ninth [9] 1 — 2 — 3 — 5 C9 Sixth [6] 1 — (3) — 5 — 6 C6 Sixth ninth [6 9 ] 1 — 2 — 3 — (5) — 6 or 3 — 6 — 2* C6[…]
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Styles PSR-2000/1000 64 T he PSR-2000/1000 features various types of Auto Accompaniment Sections that allow you to v ary the arrangement of the Style. T hey are: Intro, Main, Break and Ending. By switc hing among them as you pla y , you can easily produce the d ynamic elements of a professional-sounding arrangement in y our performance. Arranging t[…]
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Styles 65 PSR-2000/1000 Stopping the Style Playback While Releasing Keys ( SYNC. STOP) When the Synchro Stop function is engaged, accompaniment pla yback will stop completely when all keys in the Auto Accompaniment section of the keyboard are released. Accompaniment pla yback will start again as soon as the key in the Auto Accompaniment section is […]
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Styles PSR-2000/1000 66 Selecting Intro and Ending T ypes (INTRO/ENDING) Playing Fill-in patterns automatically when changing accompaniment sections — Auto Fill In D A E B C D E Select a Intro Select a Ending 3 Pla y the style using the Intro or Ending section (page 30, 31). 1 2 T o call up the [MAIN] dis- play , ﬁ rst press the [DIRECT A CCESS[…]
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Styles 67 PSR-2000/1000 T he convenient One T ouch Setting function makes it easy for y ou to select voices and effects that are appropriate to the style you’ re pla ying. Each preset style has four pre-progr ammed panel setups that you can select b y pressing a single button. Appropriate Panel Setting for the Selected Style (ONE TOUCH SETTING) U[…]
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Styles PSR-2000/1000 68 Automatically Changing One T ouch Settings with the Sections — OTS Link T he convenient O TS (One T ouch Setting) Link function lets you automatically ha ve One T ouc h Settings change when you select a different Main section (A — D). Registering the Panel Controls in One T ouch Setting (ONE TOUCH SETTING) T his section co[…]
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Styles 69 PSR-2000/1000 T he Music Finder feature lets y ou instantly call up the appropriate settings for the instrument — including voice, style, and One T ouch Settings — simply by selecting the desired song title. If you w ant to play a certain song but don’ t know w hich style and voice settings would be appropriate, the conv enient Musi[…]
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Styles PSR-2000/1000 70 Sear ching the Ideal Setups — Music Finder Search Y ou can search the record b y music title or keywords. T he results appears in the display . ■ [A] MUSIC Searc hes by music or song title. Press this button to call up the displa y for inputting the song title. When you enter the song title (page 45), the sear ch functio[…]
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Styles 71 PSR-2000/1000 Editing Records — Music Finder Record Edit F rom this display , you can call up existing records and edit them to suit your preferences. Y ou can even use this to create your o wn Music Finder records. ■ [A] MUSIC Selects the music or song title for editing. Press the button to call up the displa y for inputting the musi[…]
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Styles PSR-2000/1000 72 ■ [J] NEW RECORD Registers a new record. T he smallest av ailable empty record number is used for registering. When you press this button, a message appears prompting y ou to execute, abort or cancel the operation. YES ……………… Press this to register the record and close the display . NO ……………… Press […]
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73 PSR-2000/1000 The Multi Pads T he PSR-2000/1000 Multi P ads can be used to pla y a number of short pre-recorded rhythmic and melodic sequences that can be used to add impact and variety to y our keyboard performances. 1 Select the desired bank in the MUL TI P AD Bank displa y (page 38). 2 Press an y of the Multi Pads. T he corresponding phrase ([…]
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The Multi Pad PSR-2000/1000 74 T his function lets you cop y individual Multi P ad settings from one Multi P ad bank to another . Multi Pad Edit I F J G H D A E B C 8 1 2 3 4 5 6 7 Select the desired Multi P ad(s). The same as the Open/Sav e display on pages 41 and 44. Calls up the upper lev el director y page. Open/Sav e display f or Multi Pads ( […]
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75 PSR-2000/1000 Song Playback Here you’ll learn ho w to play bac k songs. Songs include the internal songs of the instrument, performances you’ ve recorded yourself using the recording functions (page 92), and commer cially av ailable song data. Y ou can use this highly versatile feature in a v ariety of wa ys — playing along on the keyboard[…]
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Song Playback PSR-2000/1000 76 Playing the Internal Songs Song Playback BA CK NEXT I F J G H D A E B C BA CK NEXT I F J G H D A E B C REC REW FF ST ART/STOP TOP NEW SONG SYNC. ST ART SONG METRO- NOME EXTRA TRACKS (STYLE) (R) (L) TRACK 2 TRACK 1 REPEA T E ND 2 -2 Open a folder and select a song to be played bac k. 2 -1 Select the PRESET tab with the[…]
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Song Playback 77 PSR-2000/1000 Simultaneously Pla ying a Song and an Accompaniment Style When pla ying back a song and an accompaniment style at the same time, channels 9 — 16 of the song data are replaced with accompaniment style channels — allo wing you to use the auto accompaniment styles and features in place of the accompaniment parts of the[…]
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Song Playback PSR-2000/1000 78 Playing Back Songs on Disk Insert the disk into the driv e. T he method for playing bac k is the same as in the “Playing the Internal Songs” instructions (page 76), except that you should select FLOPPY DISK page in the SONG displa y . Other Playback-related Operations ■ Repeat / Rewind / Fast forward ■ Adjusti[…]
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Song Playback 79 PSR-2000/1000 T his feature lets you mute certain parts of the song (T rac k1, T rack2, Extra T r acks), and pla y back only those parts y ou want to hear . F or example, if you want to pr actice the melody of a song, you can mute just the right-hand part and pla y that part yourself. T his feature allows you to specify a certain r[…]
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Song Playback PSR-2000/1000 80 With this feature, y ou can hav e the notation automatically shown on the display as the song pla ys. T his can be used with your o wn recordings as well as the internal Demo songs. Displaying Music Notation — Score (PSR-2000 only) D A E B C 8 1 2 3 4 5 6 7 1 Select the desired song (page 76, 78). Enables/disab les […]
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Song Playback 81 PSR-2000/1000 Detailed Settings for Notation ■ [1 ▲▼ ] LEFT CH/[2 ▲▼ ] RIGHT CH T his determines the Left channel (c hannel for the left-hand part) and Right channel (channel for the right-hand part). T his setting returns to AU TO when a different song is selected. AU TO ……………………. T he channels for the ri[…]
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Song Playback PSR-2000/1000 82 ■ [6 ▲▼ ] NOTE NAME When [NO TE NAME] is set to ON, the note name and solfeggio name (do, re, mi, etc.) are indicated. ABC …………….. Note names are indicated as letters (C, D , E, F , G, A, B). Fixed Do ………. Note names are indicated in solfeggio and differ depending on the selected language (page 4[…]
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Song Playback 83 PSR-2000/1000 T his function lets you displa y the lyrics while the song is pla ying back — making it easy to sing along with your performance or song pla yback. * Microphone input is a vailable only on the PSR-2000. Displaying the Lyrics D A E B C 1 Select the desired song (page 76, 78). 3 5 T he lyrics are in reverse displa y a[…]
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PSR-2000/1000 84 Saving and Recalling Custom Panel Setups — Registration Memor y Registration Memory is a powerful feature that lets y ou set up the PSR-2000/1000 just as you w ant — selecting speciﬁc voices, styles, effect settings etc. — and sa ve y our custom panel setup for future recall. T hen, when y ou need those settings, simply pre[…]
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Saving and Recalling Custom Panel Setups — Registration Memory 85 PSR-2000/1000 Saving Y our Registration Memor y Setups T he settings registered to the REGISTRA TION MEMORY [1]-[8] buttons are sa ved as a single ﬁle. REGISTRA TION EDIT display T he contents of the current Registration Memory bank (REGIST .) are listed in the REGISTRA TION EDIT[…]
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Saving and Recalling Custom Panel Setups — Registration Memory PSR-2000/1000 86 Y ou can recall all of the panel settings you’ ve made — or only those y ou speciﬁcally want or need. F or example, if you de-select “STYLE” in the REGISTRA TION MEMORY displa y , you can keep the currently selected style ev en when you c hange the Registrat[…]
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87 PSR-2000/1000 Editing V oices — Sound Creator T he PSR-2000/1000 has a Sound Creator feature that allows you to create y our own voices by editing some par ameters of the existing voices. Once you’ ve created a voice, y ou can sa ve it as a USER voice for future recall. • The V oice can be edited in realtime while playing back a song/style[…]
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Editing the voice -SOUND CREATOR- PSR-2000/1000 88 Regular V oice Parameters T he following parameters are linked to the ones in eac h display . COMMON T he explanations here apply to step #3 on page 87. COMMON Deter mines the common settings such as voice v olume or octave . SOUND Determines the timbre/EG (Envelope Generator)/vibr ato of the voice[…]
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Editing the voice -SOUND CREATOR- 89 PSR-2000/1000 SOUND T he explanations here apply to step #3 on page 87. ■ FIL TER FIL TER settings determine the o verall timbre of the sound by boosting or cutting a certain frequency r ange. ■ EG T he EG (Envelope Gener ator) settings determine how the level of the sound changes in time. T his lets you rep[…]
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Editing the voice -SOUND CREATOR- PSR-2000/1000 90 ■ VIBRA TO • DEPTH …….. Determines the intensity of the V ibrato effect (see diagram). Higher settings result in a more pronounced V ibrato. • SPEED ……… Determines the speed of the Vibr ato effect (see diagram). • DELA Y …….. Determines the amount of time that elapses between […]
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Editing the voice -SOUND CREATOR- 91 PSR-2000/1000 Organ Flutes (PSR-2000 only) In addition to the many organ v oices in the ORGAN voice category , the PSR-2000/1000 has an ORGAN FLUTES v oice. T he explanations here apply to step #3 on page 87. ■ Parameters Organ T ype This parameter speci ﬁ es the type of organ tone generation to be sim ulate[…]
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PSR-2000/1000 92 Recording Y our Performances and Creating Songs — Song Creator With these po werful yet easy-to-use song creating features, you can record y our own keyboard performances and store them for future recall. Several different recording methods are a vailable: Quick Recording (page 93), w hich lets you record easily and quickly; Mult[…]
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Recording Your Performances and Creating Songs — Song Creator 93 PSR-2000/1000 T his is the easiest recording method — perfect for quickly recording and pla ying back a piano song y ou’ re practicing, so you can c heck your progress. ■ Play back your new song T o pla y back the performance you just recorded, return the song to the beginning[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 94 T his lets you record a song with sever al different instrument sounds on up to sixteen channels, and create the sound of a full band or orc hestra. T he structure of the channels and parts are shown in the c hart below . About the accompaniment style parts Rhythm ….[…]
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Recording Your Performances and Creating Songs — Song Creator 95 PSR-2000/1000 D C 3 Select the part you w ant to assign to the channel to be recor ded. T his determines whic h of the keyboard-play ed parts (Main/Layer/Left) and the accompaniment style parts (RHYTHM 1/2, B ASS, etc.) are recorded to the recording channels selected in step #2. F o[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 96 T his method lets you create a song b y entering notes one by one, without ha ving to perform them in real time. T his is also convenient for recording the c hords and the melody separ ately . Operation Recording Individual Notes — Step Record SOUND CREA TOR DIGIT AL[…]
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Recording Your Performances and Creating Songs — Song Creator 97 PSR-2000/1000 ■ Measure/Beat/Clock ■ V elocity T he table below shows the a vailable settings and the corresponding v elocity values. ■ Gate Time T he following settings are a vailable: Normal ………………….. 80% T enuto …………………… 99% Staccato ……….[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 98 Recording Melodies — Step Record (Note) In this section, we’ll show y ou how to use Step Recording by guiding y ou through this actual music example, shown at right. T he operations here apply to step 6 on page 97. ■ Play back the newly created melody Use the [C][…]
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Recording Your Performances and Creating Songs — Song Creator 99 PSR-2000/1000 Recording Chord Changes for the Auto Accompaniment — Step Record (Chord) T he Chord Step recording feature makes it possible to record auto accompaniment chord c hanges one at a time with precise timing. Since the changes don’ t have to be pla yed in real time, y o[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 100 ■ Play back the newly created chord progression Use the [C] ( ) button to move the cursor to the beginning of the song, and press the SONG [ST ART/ST OP] button to hear the newly entered notes. T o actually enter the recorded data, press the [EXIT] button. T he ente[…]
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Recording Your Performances and Creating Songs — Song Creator 101 PSR-2000/1000 Select the Recording Options: Starting, Stopping, Punching In/Out — Rec Mode T he method of calling up this operation apply to step 4 on page 96. Call up the following displa ys by using the [B ACK] / [NEXT] buttons. About Punch In/Out T his feature is useful primar[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 102 Whether you’ ve recorded a song using Quic k Recording, Multi Recording, or Step Recording, you can use the editing features to change the song data. Editing Channel-related Parameters — Channel Calling up the operations here apply to step 4 on page 96. T o call u[…]
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Recording Your Performances and Creating Songs — Song Creator 103 PSR-2000/1000 Delete T his lets you delete recorded data in the speciﬁed c hannel. Mix T his function lets you mix the data of two c hannels and place the results in a different channel. It also lets y ou copy the data from one channel to another . I F J G H D A E B C 8 1 2 3 4 5[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 104 Channel T ranspose T his allows you to tr anspose the recorded data of individual channels up or do wn by a maximum of two octa ves in semitone increments. Set Up Y ou can change the initial settings of the song — such as v oice, level, and tempo — to the current […]
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Recording Your Performances and Creating Songs — Song Creator 105 PSR-2000/1000 Editing Note Events — 1 — 16 F rom this display , you can edit individual note ev ents (see below). Calling up operations here apply to step 4 on page 96. Use the [BA CK] / [NEXT] buttons to call up the display below . Note Events Parameter Description Note Determin[…]
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Recording Your Performances and Creating Songs — Song Creator PSR-2000/1000 106 Editing Chord Events — CHD F rom this display , you can edit the chord ev ents you’ ve recorded to the song. Calling up operations here apply to step 4 on page 96. Use the [B ACK] / [NEXT] buttons to call up the displa y below . With the exception of the [F] (EXP […]
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Recording Your Performances and Creating Songs — Song Creator 107 PSR-2000/1000 Inputting and Editing L yrics T his convenient function lets y ou enter the song name and the lyrics for the song. It also lets you change or correct already existing lyrics. F or more information on lyric events, see the chart belo w . Calling up operations here appl[…]
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PSR-2000/1000 108 Creating Accompaniment Styles — Style Creator T his powerful feature lets you create y our own original styles, whic h can then be used for auto accompaniment — just as with the preset styles. About Creating Accompaniment Styles T he chart at right sho ws the basic parts (or “c hannels”) that make up each section of an acc[…]
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Creating Accompaniment Styles — Style Creator 109 PSR-2000/1000 Style File Format T he Style File F ormat (SFF) combines all of Y amaha’ s auto accompaniment know-how into a single uniﬁed format. By using the edit functions, you can take full ad vantage of the SFF format and freely create your o wn styles. T he chart at right indicates the pr[…]
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Creating Accompaniment Styles — Style Creator PSR-2000/1000 110 Y ou can use the Realtime Recording features to create your own accompaniment style — either from scratc h or based on the preset accompaniment data. T he operations here apply to step 4 on page 109. Realtime Recording — Basic I F J G H D A E B C E ND REC …. Channel is enabled […]
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Creating Accompaniment Styles — Style Creator 111 PSR-2000/1000 With this method, y ou can create a style pattern by entering notes and other data individually , without having to perform them in real time. T he operations here apply to step 4 on page 109. T he actual recording process is the same as in Step Recording of songs (page 96), with the[…]
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Creating Accompaniment Styles — Style Creator PSR-2000/1000 112 T his convenient function lets y ou combine accompaniment elements — such as rh ythm, bass, and chord patterns — from existing styles, and use them to create your o wn original accompaniment styles. The oper ations here apply to step 4 on page 109. Assembling an Accompaniment Sty[…]
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Creating Accompaniment Styles — Style Creator 113 PSR-2000/1000 Change the Rhythmic Feel — Groove and Dynamics T hese versatile features giv e you a wide v ariety of tools for changing the rh ythmic feel of your created accompaniment style. T he operations here apply to step 4 on page 109. ■ Groove Groo ve par ameters Original Beat Speci ﬁ […]
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Creating Accompaniment Styles — Style Creator PSR-2000/1000 114 ■ Dynamics Dynamics par ameters Accent T ype Selects the type of accent. Strength Determines how strongly the selected Accent T ype (abo ve) will be applied. The higher the value , the stronger the effect. Expand/Compress Expands or compresses the range of v elocity values, around […]
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Creating Accompaniment Styles — Style Creator 115 PSR-2000/1000 Editing the Channel Data In this displa y , there are ﬁve different channel-related edit functions, including Quantize, for editing the recorded accompaniment style data. T he operations here apply to step 4 on page 109. ■ Quantize Refer to page 102. ■ V elocity Change Boosts o[…]
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Creating Accompaniment Styles — Style Creator PSR-2000/1000 116 Making Style File Format Settings — Parameter T his display pro vides a variety of style controls— such as determining ho w the pitch and sound of the recorded style change w hen playing the c hords in the left-hand range of the keyboard. F or details about the relationship betwe[…]
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Creating Accompaniment Styles — Style Creator 117 PSR-2000/1000 • NTT (Note T r ansposition T able) T his sets the note transposition table for the source pattern. Six tr ansposition types are av ailable. Bypass No transposition. Melody Suitable for melody line tr ansposition. Use this for melody c hannels such as Phr ase 1 and Phrase 2 . Chord[…]
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PSR-2000/1000 118 Creating Multi Pad — Multi Pad Creator T he PSR-2000/1000 lets you create y our own original Multi P ad phrases — w hich you can use in y our performances in the same wa y as the preset Multi P ads. USER ENTER EXIT BALANCE FUNCTION HELP MENU DEMO SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE DIGITAL STUDIO DIRECT ACCESS PART […]
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Creating Multi Pad — Multi Pad Creator 119 PSR-2000/1000 T he operations here apply to step 4 on page 118. Start recording Press the [H] (REC) button to set the Record standby mode. Recording begins automatically as soon as you pla y on the keyboard. Y ou can also start recording by pressing the STYLE [ST ART] button. If Chord Match (see belo w) […]
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Creating Multi Pad — Multi Pad Creator PSR-2000/1000 120 With this method, y ou can create a Multi P ad by entering notes and other data indi vidually , without ha ving to perform them in real time. T he operations here apply to step 4 on page 118. T he actual recording process is the same as in Step Recording of songs (page 96), with the excepti[…]
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121 PSR-2000/1000 Adjust the V olume Balance and Changing V oices — Mixing Console Set up just like a real mixing console, this displa y gives y ou comprehensive control o ver the sound. Y ou can call up additional basic mixing controls by using the [BALANCE] button and the [CHANNEL ON/OFF] button (page 61). ■ About the parameters • V OL/VOIC[…]
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Adjust the Volume Balance and Changing Voices — Mixing Console PSR-2000/1000 122 T he operations for this page apply to step 2 of the procedure on page 121. Setting the Level Balance and V oice — V olume/V oice I F J G H 8 1 2 3 4 5 6 7 SOUND CREA TOR DIGIT AL RECORDING MIXING CONSOLE DIGIT AL STUDIO I F J G H D A E B C 8 1 2 3 4 5 6 7 PA R T S[…]
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Adjust the Volume Balance and Changing Voices — Mixing Console 123 PSR-2000/1000 T he operations for this page apply to step 2 of the procedure on page 121. T he operations for this page apply to step 2 of the procedure on page 121. PORT AMENT O TIME ………… When the part is set to Mono (page 58, 88), this determines the P ortamento time. T […]
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Adjust the Volume Balance and Changing Voices — Mixing Console PSR-2000/1000 124 T he operations for this page apply to step 2 of the procedure on page 121. Adjusting the Effects There are three effect sec- tions: Rev erb, Chorus, and DSP (which contains a vari- ety of effect types). For details, ref er to the Effect Block list (page 125). SOUND […]
Страница 125

Adjust the Volume Balance and Changing Voices — Mixing Console 125 PSR-2000/1000 Effect Block Block Par t s Characteristics Number of User Effect REVERB All par ts Reproduces the warm ambience of playing in a concer t hall or jazz club . 3 CHORUS All parts Produces a rich “ fa t ” sound as if sev eral par ts are being play ed simultaneously .[…]
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Adjust the Volume Balance and Changing Voices — Mixing Console PSR-2000/1000 126 Effect Structure T he PSR-2000/1000 features the following digital effect systems. T he effect type, depth, and various par ameters can be set with the panel controls. About the Effect Connections – System and Insertion All the effect blocks are connected or routed[…]
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Adjust the Volume Balance and Changing Voices — Mixing Console 127 PSR-2000/1000 Usually an equalizer is used to correct the sound output from amps or speakers to match the special c haracter of the room. T he sound is divided into sever al frequency bands, allowing y ou to correct the sound by raising or lo wering the level for eac h band. The e[…]
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PSR-2000 128 Using a Microphone — MIC. (PSR-2000) T his extraordinarily powerful feature uses ad vanced v oice-processing technology to automatically produce vocal harmony based on a single lead v ocal. F our distinct harmony modes as well as an extensiv e selection of preset harmony types are provided. In addition to straightforw ard harmony , t[…]
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Using a Microphone — MIC. (PSR-2000) 129 PSR-2000 Selecting a V ocal Harmony T ype I F J G H D A E B C 8 1 2 3 4 5 6 7 Select a V ocal Har mony type. 1 Press the [VH TYPE SELECT] button. 2 This lets you adjust the amount of harmony effect that is applied. I F J G H D A E B C 8 1 2 3 4 5 6 7 Sav e the changed data ( page 38 , 44). The sav ed setti[…]
Страница 130

Using a Microphone — MIC. (PSR-2000) PSR-2000 130 Operation Adjusting the V ocal Harmony Settings and Microphone Effects — OVERALL SETTING T he explanations here apply to step 2 above. ■ 3BAND EQ (3-BAND EQUALIZER) Usually an equalizer is used to correct the sound output from amps or speakers to match the special c haracter of the room. T he […]
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Using a Microphone — MIC. (PSR-2000) 131 PSR-2000 ■ COMPRESSOR T his effect holds down the output when the input signal from the microphone exceeds a speciﬁed lev el. T his is useful when recording a signal with widely v arying dynamics. It effecti vely “compresses” the signal, making soft parts louder and loud parts softer . SW ………[…]
Страница 132

Using a Microphone — MIC. (PSR-2000) PSR-2000 132 Setting the Microphone V olume and Related Effects — T ALK SETTING Determines the settings when the [T ALK] button is on. T he explanations here apply to step 2 on page 130. VOLUME/P AN/REVERB DEPTH/CHORUS DEPTH/TOT AL VOLUME A TTENUA TOR DSP/TYPE/DEPTH I F J G H D A E B C 8 1 2 3 4 5 6 7 This s[…]
Страница 133

133 PSR-2000/1000 Making Global and Other Important Settings — Function T he Function mode gives y ou access to various ad vanced functions related to the instrument as a w hole. These sophisticated functions let you customize the PSR-2000/1000 to y our own musical needs and preferences. Adjusting the Pitch and T uning — Master T une and Scale […]
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Making Global and Other Important Settings — Function PSR-2000/1000 134 T his determines the method for playing/indicating chords w hen using the auto accompaniment features. Y ou can even chec k how to pla y the chord, since the individual notes are indicated in the displa y . Making Settings for the Pedals and Keyboard — Controller ■ Pedal […]
Страница 135

Making Global and Other Important Settings — Function 135 PSR-2000/1000 T he explanations here apply to step #3 of the procedure on page 133. T uning the Overall Pitch — Master T une Selecting a Scale — Scale T une Fine T uning the Pitch/Selecting a Scale — Master T une/Scale T une Hz (Hertz) This unit of measurement refers to the frequency[…]
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Making Global and Other Important Settings — Function PSR-2000/1000 136 Scale ■ Equal T emperament T he pitch range of eac h octav e is divided equally into twelve parts, with eac h half-step evenly spaced in pitch. T his is the most commonly used tuning in music toda y . ■ Pure Major/Pure Minor T hese tunings preserve the pure mathematical i[…]
Страница 137

Making Global and Other Important Settings — Function 137 PSR-2000/1000 T he explanations here apply to step #3 of the procedure on page 133. Setting Song-related Parameters — Song Settings Quick Start On some commercially av ail- able song data, certain set- tings related to the song (such as voice selection, v ol- ume, etc.) are recorded to t[…]
Страница 138

Making Global and Other Important Settings — Function PSR-2000/1000 138 T he explanations here apply to step #3 of the procedure on page 133. Setting Auto Accompaniment-related Parameters — Style Setting and Split Point Setting Auto Accompaniment-related Parameters — Style Setting, Split Point, and Chord Fingering I F J G H 8 1 2 3 4 5 6 7 Th[…]
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Making Global and Other Important Settings — Function 139 PSR-2000/1000 Setting the Fingering Method — Chord Fingering T he explanations here apply to step #3 of the procedure on page 133. Making Settings for the Pedals 8 1 2 3 4 5 6 7 Determines the ﬁ nger ing type (page 62). This lets you change the root note from the chord. This lets you c[…]
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Making Global and Other Important Settings — Function PSR-2000/1000 140 Pedal-controllable Functions * For best results , use the optional Y amaha FC7 F oot Controller . The parameters below correspond to b uttons [2 ▲▼ ] — [8 ▲▼ ] , and their av ailability depends on the selected control T ype. For e xample, if SUST AIN is selected as th[…]
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Making Global and Other Important Settings — Function 141 PSR-2000/1000 Changing the T ouch Sensitivity Modulation and T ranspose — Keyboard/Panel Keyboard T ouch/Modulation Wheel T he T ouc h feature lets you control the volume of the v oices by your pla ying strength. T hese settings allow you to customize the keyboard’ s touc h response (s[…]
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Making Global and Other Important Settings — Function PSR-2000/1000 142 T he explanations here apply to step #3 of the procedure on page 133. Specifying the Order for Calling Up Registration Memory Presets — Registration Sequence Y ou can save y our custom panel settings to the Registration Memory presets, and call them up by pressing the appro[…]
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Making Global and Other Important Settings — Function 143 PSR-2000/1000 Changing the Automatically Selected V oice Settings — V oice Set When changing v oices (selecting a voice ﬁle), the settings best matching the v oice — the same as those set in the Sound Creator — are alwa ys and automatically called up. F rom this page, you can set t[…]
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Making Global and Other Important Settings — Function PSR-2000/1000 144 About the Harmony T ypes When a normal Harmony type ( “ Standard Duet ” through “ Strum ” ) is selected When “ Multi Assign ” is selected Multi Assign automatically assigns notes play ed simultaneously on the right-hand section of the keyboard to separate parts (v[…]
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Making Global and Other Important Settings — Function 145 PSR-2000/1000 In this section, you can make MIDI-related settings for the instrument. T hese settings can be stored all together from the USER displa y , for future recall.F or general information and details about MIDI, see “What is MIDI?” (page 155). T he explanations here apply to s[…]
Страница 146

Making Global and Other Important Settings — Function PSR-2000/1000 146 Clock, T ransmit Clock, Receive T ranspose, Start/Stop ■ Clock Determines whether the PSR-2000/1000 is controlled b y its own internal clock or a MIDI cloc k signal received from an external device. “INTERNAL ” is the normal Clock setting when the PSR-2000/1000 is being[…]
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Making Global and Other Important Settings — Function 147 PSR-2000/1000 Receiving MIDI Data — Receive T his determines whic h parts will receive MIDI data and ov er which MIDI c hannel the data will be received. MIDI Receiv e Parts Setting Root Note Channels — Root T he note ON/OFF messages received at the c hannel(s) set to “ON” are reco[…]
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Making Global and Other Important Settings — Function PSR-2000/1000 148 T he explanations here apply to step #3 of the procedure on page 133. Making Settings for Fade In/Out, Metronome, Parameter Lock, and T ap — CONFIG 1 Fade In Time, Fade Out T ime, Fade Out Hold Time T hese determine how long it takes for the accompaniment style and song to […]
Страница 149

Making Global and Other Important Settings — Function 149 PSR-2000/1000 Parameter Lock T his function is used to “lock” the speciﬁed parameters so that they can only be c hanged directly via the panel controls — in other words, instead of via Registration Memory , One T ouc h Setting, Music Finder , or song and sequence data. T ap Count T[…]
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Making Global and Other Important Settings — Function PSR-2000/1000 150 Copying and Formatting Disks — Disk • Copying cannot be done between a 2DD disk and 2HD disk. When copying, make sure both disk are the same type. • Depending on the amount of data contained in the original source disk, you may ha ve to s wap the two disks sev eral time[…]
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Making Global and Other Important Settings — Function 151 PSR-2000/1000 Entering Y our Name and Language Preference — Owner Restoring the Factory-programmed Settings of the PSR-2000/1000 — System Reset T his operation lets you restore the PSR-2000/1000 to its original factory settings. T hese settings include System Setup, MIDI Setup, User Ef[…]
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PSR-2000/1000 152 Using Y our PSR-2000/1000 with Other Devices 1 Using the Headphones (PHONES jack). A standard pair of stereo headphones can be plugged in here for priv ate practice or late-night pla ying. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack (page 149). 2 Connecting[…]
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Using Your PSR-2000/1000 with Other Devices 153 PSR-2000/1000 3 Playing the sounds of the PSR-2000/1000 through an external audio system, and recording the sounds to an external recorder (AUX OUT/ OUTPUT jacks) Y ou can connect the PSR-2000/1000 to a wide range of audio equipment by using the A UX OUT and OUTPUT jacks. Connect as shown in the illus[…]
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Using Your PSR-2000/1000 with Other Devices PSR-2000/1000 154 6 Connecting to a Computer (MIDI terminals/TO HOST terminal) Connect your PSR-2000/1000 to computer and take adv antage of the wide range of powerful and v ersatile software for creating and editing music. T he PSR-2000/ 1000 can be connected in three wa ys. ■ Using the T O HOST termin[…]
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Using Your PSR-2000/1000 with Other Devices 155 PSR-2000/1000 Using the MIDI terminals When using a MIDI interface device installed in the personal computer , connect the MIDI terminals of the personal computer and the PSR-2000/1000 with standard MIDI cables. • When the computer has a MIDI interface installed, connect the MIDI OUT terminal of the[…]
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Using Your PSR-2000/1000 with Other Devices PSR-2000/1000 156 Now let’ s examine what happens when we pla y back a recording. When you pla yback a music CD (for example, a solo piano recording), you’ re hearing the actual sound (vibrations in air) of the acoustic instrument. T his is called audio data, to distinguish it from MIDI data. In the a[…]
Страница 157

Using Your PSR-2000/1000 with Other Devices 157 PSR-2000/1000 ■ Example Keyboard Data P anel oper ations on the PSR-2000/1000, such as playing the keyboard and selecting voices, are processed and stored as MIDI data. T he auto accompaniment styles and songs also consist of MIDI data. MIDI is an acronym that stands for Musical Instrument Digital I[…]
Страница 158

Using Your PSR-2000/1000 with Other Devices PSR-2000/1000 158 As you can see, it is essential to determine w hich data is to be sent over w hich MIDI c hannel when transmitting MIDI data (page 146). T he PSR-2000/1000 also allows y ou to determine how the received data is pla yed back. (page 147). ■ System Messages T his is data that is used in c[…]
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Using Your PSR-2000/1000 with Other Devices 159 PSR-2000/1000 Sequence Format T he system whic h records song data is called “sequence format. ” Pla yback is only possible when the sequence format of the disk matches that of the MIDI device. T he PSR-2000/ 1000 is compatible with the following formats. ■ SMF (Standard MIDI File) T his is the […]
Страница 160

PSR-2000/1000 160 T roubleshooting Prob lem P ossible Cause and Solution • The PSR-2000/1000 does not turn on; there is no power . Make sure that the PSR-2000/1000 has been plugged in properly (page 16). • A click or pop is heard when the pow er is turned on or off. This is normal when electr ical current is applied to the instrument. • Noise[…]
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Troubleshooting 161 PSR-2000/1000 • Cer tain notes sound at the wrong pitch. The Scale parameter has probab ly been set to something other than “ Equal, ” changing the tuning system of the ke yboard. Make sure “ Equal ” is selected as the Scale in the Scale T une page (page 135). • Some channels do not properly play back when playing ba[…]
Страница 162

PSR-2000/1000 162 Speciﬁcations : av ailable Model Name PSR-2000 PSR-1000 Sound Source A WM Dynamic Stereo Sampling Display 320 ✕ 240 dots bac klit graphic LCD K eyboard 61 ke ys (C1 — C6 with Initial T ouch) V oice P olyphony (max) 64 32 V oice Selection 313 voices + 480 XG v oices + 16 Drum Kits 233 voices + 480 XG v oices + 15 Drum Kits Regu[…]
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Specifications 163 PSR-2000/1000 * Speciﬁcations and descriptions in this o wner’s manual are for information purposes only . Y amaha Corp. reserves the right to change or modify products or speciﬁcations at an y time without prior notice. Since speciﬁcations, equipment or options may not be the same in every locale, please c heck with y[…]
Страница 164

PSR-2000/1000 164 Index Numerics 1 — 16 ………………………………………………………………… 96, 105 [1 ▲▼ ] — [8 ▲▼ ] buttons ……………………………………. 19, 38–45 3BAND EQ (3-BAND EQUALIZER) ……………………………… 130 A A (ACMP) ………………………………………………..[…]
Страница 165

Index 165 PSR-2000/1000 Direct Access Chart …………………………………………………….. 48 Disk ……………………………………………………………………….. 150 Disk format………………………………………………………………. 158 Disk Orchestra Collection …………………………..[…]
Страница 166

Index PSR-2000/1000 166 K Kbd.Vel …………………………………………………………………….. 97 KEY SIGNATURE ………………………………………………………… 81 Keyboard Percussion …………………………………………………… 55 Keyboard Touch ………………………………………….[…]
Страница 167

Index 167 PSR-2000/1000 PHRASE MARK REPEAT …………………………………………….. 137 PITCH BEND ………………………………………………………… 18, 58 PITCH BEND RANGE ………………………………………………… 123 Pitch settings for each scale ………………………………………… 136 Pl[…]
Страница 168

Index PSR-2000/1000 168 Song ……………………………………………………………………. 14, 75 SONG [START / STOP] button…………………………………. 18, 76 SONG AUTO REVOICE …………………………………………….. 122 SONG CHAIN PLAY …………………………………………………. 137 Song […]
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L imited W arr anty 90 D A YS LABOR 1 YEAR P AR TS Y amaha Corporation of America, hereafter referred to as Y amaha, warrants to the original consumer of a product included in the cate- gories listed below , that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models […]
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* This applies only to products distributed by Y AMAHA CORPORA TION OF AMERICA. (class B) (standby) FCC INFORMA TION (U .S.A.) 1. IMPORT ANT NO TICE: DO NO T MODIFY THIS UNIT! This product, when installed as indicated in the instruc- tions contained in this manual, meets FCC require- ments. Modi ﬁ cations not expressly appro ved by Y amaha ma y v[…]
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HEAD OFFICE Y amaha Corporation, Pro Audio & Digital Musical Instrument Di vision Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 T el: 053-460-3273 [PK] 21 For details of products, please contact your nearest Y amaha or the authorized distributor listed belo w . Pour plus de détails sur les produits, veuillez-vous adresser à Y amaha ou au distr[…]
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M.D .G., Pro Audio & Digital Musical Instrument Division, Y amaha Corporation © 2001 Y amaha Corporation ??????? ???AP???.?-02B0 Printed in Indonesia Yamaha PK CLUB (Portable Keyboard Home Page, English only) http://www.yamahaPKclub.com/ Yamaha Manual Library (English versions only) http://www2.yamaha.co.jp/manual/english/[…]

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Инструкция к Синтезатору/фортепиано Yamaha PSR-2000

Introduction

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Оглавление

Аннотации для Синтезатора/фортепиано Yamaha PSR-2000 в формате PDF

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